Vignette description and writing tips; website includes examples of vignettes, A Ribald World of One’s Own: The Watercolors of Gladys Nilsson, Interview with Gladys Nilsson: Painting Stories, Painting Life. It’s not certain whether there are connections between the little narratives occurring in the different spaces, but the implied relationships and the title Some Other Tree give humorous nods to the old adage that the “grass is always greener on the other side of the fence.”. Describe the relationship between the man holding the flowers and the woman in red. “Sometimes her adornments are crippling. (Some Other Tree) Describe all of the figures. Students will create a watercolor painting based on an original written composition in response to Gladys Nilsson’s paintings.

What does her posture, position in the painting, and facial expression suggest? Her work often focuses on aspects of human sexuality and its inherent contradictions. Examples: watercolor or gouache, highly stylized, saturated color, refined technique, “weird, funny, creepy, screwball, sexual, unabashed and impolite,” “figures are irrationally exuberant.”.

After a discussion of Some Other Tree and Sites Unscene by Gladys Nilsson, students write a vignette based on one of the art works, applying at least two of the characteristics of Gladys Nilsson’s artistic style. Note: A vignette is a short impressionistic scene that focuses on one moment or character and gives an impression of the character, an idea, setting, and/or object. Mouths and eyes are expressive, revealing thoughts and feelings.

Lesson Plan | Gladys Nilsson: Vignettes and Watercolor Paintings, © 2020 Madison Museum of Contemporary Art.

227 State Street, Madison, WI 53703 – 608.257.0158.

She has said she is inspired “by exchanges I see between anonymous people.

Considered one of America’s premier watercolorists, she paints in large format, in contrast to traditional small-format watercolor painting. Which parts seem three-dimensional? The goal is to create an atmosphere not a story, painting the imagery with words. Considered one of America’s premier watercolorists, she paints in large format, in contrast to traditional small-format watercolor painting. The man’s arm is around a woman dressed in red, but he also extends a bouquet of flowers to an elfin, pony-tailed woman posed on the same window ledge. In the top panel’s mysteriously compressed space, a couple leans from a window. What can we learn from our response to art? Why do you think that? Art Activity What is the relationship of the figures to each other? How has the artist created the illusion of space and depth in Sites Unscene? What noticeable effects are created by the medium of watercolor paint? Does each figure tell a different story or are they part of the same narrative? What is the mood of the picnic vignette?

Plants and trees burst with liveliness and color, and people are in relationships that appear to be evolving. Depending on the familiarity of students with watercolors, the teacher may demonstrate basic watercolor technique such as washes and brush strokes. It is a short, descriptive passage, more about evoking meaning through imagery than about plot.

Born in 1940 in Chicago to Swedish immigrant parents, Nilsson attended drawing classes as a teenager at the School of the Art Institute of Chicago; a scholarship from SAIC indicates early recognition of her artistic ability. What might be some reasons Nilsson put different scenes in the same painting? Which parts of the image seem flat and two-dimensional? It’s easy to see that the artist loves applying watercolors to paper in saturated pools, creating depth and textures. The earliest works in the exhibition depict brightly colored figures in enigmatic scenarios. Like many of the Hairy Who artists, Nilsson employed a type of horror vacui; many of her works feel filled to the brim with winding, playful imagery. How does learning about art impact how we see the world? She is pointing ahead with a smile of discovery toward further adventures, or toward the lunching group, or—just as likely—toward the smiling man leaning incongruously on the trellis. Several cities in the United States, including Two Rivers, Wisconsin, claim they are the “birthplace” of desserts called sundaes, composed of ice cream topped with sauce or syrup. If you could imagine this painting as depicting a scene or scenes from a play, what elements of a plot are suggested by the title, Some Other Tree? Artworks shown on this website are copyrighted by the artists unless otherwise noted, and may not be reproduced without permission of the copyright holder. How has the artist created these effects? Like other member of the Chicago Imagists, such as Art Green, Karl Wirsum, and her husband Jim Nutt, Nilsson’s works are both formally inventive and filled with bizarre imagery. Using their written composition to inform their painting, students will portray their vignettes in watercolors with attention to the style and content of the work of Gladys Nilsson. In the etching Sites Unscene, four people dressed in early twentieth-century picnic clothes are seated at a café table, enjoying a lunch of hamburgers and ice cream sundaes behind a trellis hung with hops vines. The result was a style that bordered on surrealism and pop, fantasy and cartoon. What do you think she sees through the lens? Can you find parts of Sites Unscene that seem to suggest a time in the past?
Nilsson is known for her densely layered and meticulously constructed watercolors and collages. See website http://www.vineleavesliteraryjournal.com/vignette-writing-tips.html which includes examples. Are the larger frame and smaller frame part of the same narrative or a different vignette? The vignette should be between 100-800 words. Though Nilsson is better known for the watercolors she began exhibiting in the mid-1960s as one of the original members of the Hairy Who, she has dedicated much of her career to painting with acrylic on canvas, panel, and Plexiglas. One of the earliest claims is from Seymour, Wisconsin, where, in 1885, Charlie Nagreen (aka Hamburger Charlie) sold a meatball between two slices of bread at a local fair. What seems to suggest that? Dabs and streaks of color are everywhere, contributing to the impression of organic development. Nilsson is known for her densely layered and meticulously constructed watercolors and collages. Noses seem long and getting longer.

(Sites Unscene) What might be the function of the frame or trellis that the vines wrap around in the etching? When you look closely at this artist’s use of color in Some Other Tree, what do you notice that suggests the medium is watercolor?

(Some Other Tree) Describe the vegetation. This technique permits variations in the depth of etching and concentration of the ink on the plate. 10 AM–5 PM  (10-12 reserved for those with compromised immune systems), http://www.vineleavesliteraryjournal.com/vignette-writing-tips.html, https://hyperallergic.com/164198/gladys-nilssons-portraits-of-everywoman/, https://hyperallergic.com/356128/a-ribald-world-of-ones-own-the-watercolors-of-gladys-nilsson/, http://www.chicagoarts-lifestyle.com/interview-with-gladys-nilsson-painting-stories-painting-life/.
Does Some Other Tree seem to you to be composed of one scene or three scenes? Behind the forest, and confounding the pictorial space, are structures suggesting buildings, possibly a city.

Summarize the characteristics and style of Nilsson’s work from references, discussion and viewing.

Sites Unscene is an unusual work for Gladys Nilsson, who primarily works in watercolor. What emotions are suggested by their facial expressions? Leaping toward them from the trees is a woman carrying sausages strung on a long stick.

Nilsson enjoyed the “otherworldly feel” of galleries in the Art Institute of Chicago that displayed plaster casts of classical sculptures and building facades. Students will create a watercolor painting based on an original written composition in response to Gladys Nilsson’s paintings. Along a stream floats a boat carrying four women, one of whom deftly stands on the gunnels, peering through a telescope.


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