Leslie Scalapino 1944 -2010We honor her passing and celebrate her not ever passing.“… ‘horizontal’ is a way of seeing everything flowing, existing at different times in parallel simultaneous spaces–not permanent, but not ever passing either.” --LS in conversation w/Elizabeth Bryant, Dusie #8Reading Leslie Scalapino is/as an altering act/event. for primarily professional audiences (e.g., in law or medicine). Copyright © 1988. Considering how exaggerated music is book. Find all the books, read about the author, and more. We are grateful to know that her writing will live on in the world, in us, and will continue to be written and spoken about.

Really she'd had the sense of the men she'd seen as being adults and herself the same age as them. This book is not yet featured on Listopia. Using Iraq war footage and beautifully coincident with Scalapino's always fabulous phrasing as a reader of her work, it is one of the best poetry films I've ever seen. Leslie Scalapino (July 25, 1944 – May 28, 2010) was a United States poet, experimental prose writer, playwright, essayist, and editor, sometimes grouped in with the Language poets, though she felt closely tied to the Beat poets. To get the free app, enter your mobile phone number. We thank everyone who responded. 12, No. This June, as we observe LGBTQ Pride—the annual celebration of the lesbian, gay, bisexual, transgender, and queer/questioning communities—we... To see what your friends thought of this book. All rights reserved. In 1999 San Francisco filmmaker Konrad Steiner proposed a collaboration: a reading of the entire book as the soundtrack to a montage of images. She had that feeling about having intercourse with men whose organs were those of leopards and hers were not. Her liking the other women to have had children when she was pregnant had to do with having them there and herself isolated—and yet people not saying much about or responding to the pregnancy. A longtime resident of California's Bay Area, she earned an M.A. given topic (oh how rare, but how delicious the disagreements too), not all contributors herein are members of Pussipo, each contributor is the rightful possessor of her or his own opinion, and some contributors may be more inclined to respond to comments directed their way than others. Some of them were men, and some of us wanted some of them to write about experimental women poets, gender performativity on the page, masculinity via grotesque, etc. The following is an essay about the work of Leslie Scalapino, in which I discuss this and other books of hers: This "long poem" had its moments for me, "bum series" in particular, but I had trouble getting past the calculated flatness of the work. The constantly shifting imagery reflects both the author's fascination with language, and all of its permutations, and her reluctance to draw conclusions. We're not allowed to leave the airport on arriving—others not permitted to stop over—we're immature in age, so it's inverted. Animals, events, gestures are examined, shuffled, monitored, creating a multilayered poem whose constant shifts and pluralities lay bare the latent sexual and social tensions that are rarely permitted expression. Just a moment while we sign you in to your Goodreads account. With a personal account, you can read up to 100 articles each month for free. We work hard to protect your security and privacy. An experimental writer associated with the West Coast Language poets, Leslie Scalapino grew up in Berkeley, California. Contributors challenge disciplinary boundaries and engage with theoretical debates whose import stretches within and beyond the academy.
magnitude of the journals program within the Press is unique among American and interdisciplinary publications, both books and journals. Our being creamed in the foreground of the field by the other girls). Yet having the sense of the difference between him and the others, she found it pleasant for him to come and for her not to come that time. (Therefore receded—we get on the bus going to the city and look around, seeing people dressed shabbily). way [excerpts] - to haveseem-ed still—though notwanting tobe serene—their—I was in school; ... California, Leslie Scalapino taught at UC San Diego, where her papers are held in the Mandeville Special Collections Library. It's what follows. She had the feeling of them as adults and her the same age as them, yet had the other feeling as well in order for her to come then. The difference in this case gave her the sense of them being boys, all of them rather than those who didn't have leopards' characteristics and this made her come easily with someone. thirty journals, primarily in the humanities and social sciences, though it Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club that’s right for you for free.

Leslie Scalapino (July 25, 1944 – May 28, 2010) was a United States poet, experimental prose writer, playwright, essayist, and editor, sometimes grouped in with the Language poets, though she felt closely tied to the Beat poets.

Leslie Scalapino's WAY represents, in the words of one critic, "a refusal to limit the potential of experience." Login via your Description. of Contents. The film cycle does not supersede the book, much less illustrate it, rather it acts as a cinematic space where the montage and the poem, the poet's and the filmmaker's imagination, are braided in time. They're nubile, but in age they're thirteen or so—so they're strong. There was an error retrieving your Wish Lists. One of Scalapino's most critically well-received works is way (North Point Press, 1988), a long poem which won the Poetry Center Award, the Lawrence Lipton Prize, and the Born on July 25, 1944, in Santa Barbara, California, Leslie Scalapino taught at UC San Diego, where her papers are held in the Mandeville Special Collections Library. This item cannot be shipped to your selected delivery location. Leslie Scalapino, “the bum series,” in Way (San Francisco: North Point Press, 1988), 49-61. institution. Leslie Scalapino (July 25, 1944 – May 28, 2010) was a United States poet, experimental prose writer, playwright, essayist, and editor, sometimes grouped in with the Language poets, though she felt closely tied to the Beat poets. Read your article online and download the PDF from your email or your account. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. In 1999 San Francisco filmmaker Konrad Steiner proposed a collaboration: a reading of the …

When sexual unions occurred between a brother and sister they weren't savages or primitive. North Point Press; 1st Edition (January 1, 1988). Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. The relative At least the woman she had seen in the shower had a leopard's parts. in the broad and interdisciplinary area of "theory and history of cultural production," The couple she watched were also around the same age as herself—the man being aware of someone else's presence after a time and coming. Tentative, she frequently defines experience in terms of what it is not, finding a void, a lack: describing the sight of the dead bodies of several vagrants being thrown into the river, she writes: "not being specialand/ the corpses that are put into the/ rivercoming there for burialthough we are not/ in that situationwould be/ in thatfloating there/ of our own culture/ when the actionwould/ not beof our own culture."
© 2020 Brown University, way, a film by Konrad Steiner in collaboration with Leslie Scalapino. In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. All Rights Reserved. I was looking at a river from sun windows where I saw apes that were giant—my knowing it wasn't usually seen and was germane to the rags—a giant ape that was male floating submerged on his back in very blue water, hi genitals seen—floating gently as well. San Francisco Poetry Center Book Award (1988), Reading the Minds of Events: Leslie Scalapino’s Plural Time. It's in the past—yet is repressed in terms of the situation itself, poor people who're working, the division is by color.


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