Many have found the painting to be offensive because of the way the artist has exaggerated and manipulated aspects in the sacred theme such as spatial distances and bodily proportions. Parmagianino uses a mannerist style in his painting which displays a very disproportionate and skewed depth sense to the viewer. Crystal balls represent the presence and omnipotence of God. Rather than taking art from nature, such as in the Renaissance, … “Madonna of the Long neck”, painted by Parmagianino, providied a initially disturbing impression of the Madonna and baby Jesus, but upon closer examination and understanding the beauty of the painting is revealed. Many have questioned the unorthodox method that Parmigianino used to set and create the scene in Madonna with the Long Neck. However this vase is empty, darkly crystalline and opaque. Symbolic Meanings in Madonna with the Long Neck Traditionally vases in religious art are transparent or contain a lily, symbolizing the purity of Mary.

High Renaissance art - exemplified by Raphael's Sistine Madonna (1513-14, Gemaldegalerie Alte Meister Dresden) - emphasized harmony and balance. Compared to the ease and simplicity with which Raphael and other Renaissance artists had painted the ancient theme, Parmigianino's version …

So, instead of grouping his angels in equal numbers on both sides … Parmigianino had no interest in this. Backstory: This painting is also known as ‘Madonna of the Long Neck’ or ‘Madonna and Child with Angels and St. Jerome’. The Madonna with the Long Neck (Italian: Madonna dal collo lungo), also known as Madonna and Child with Angels and St. Jerome, is an Italian Mannerist oil painting by Parmigianino, dating from c. 1535-1540 and depicting Madonna and Child with angels. Parmigianino, Madonna of the Long Neck by Dr. Steven Zucker and Dr. Beth Harris Parmigianino, Madonna of the Long Neck , 1530-33, 28 3/4 x 23 1/2″ (73 x 60) (Uffizi, Florence) Madonna of the Long Neck is an excellent example of the new style of Mannerism, that followed High Renaissance painting in the early 1530s.

The painting is unfinished as Parmigianino died in 1540, which adds to the mystery of the painting.

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