The camera lingers lovingly on a close-up of her dazzling smile as she asks, half-coyly, half-sweetly: "Surprised?" Although Holly, like Monroe – and like Capote, in fact – all sprang from a Platonic conception of themselves (in F Scott Fitzgerald's famous phrase), for them the fissures between the earlier self and the public persona always showed, and threatened to split them apart. For her performance as Marilyn, Danner has been nominated for the Primetime Emmy for Outstanding Guest Actress in a Comedy Series in 2005 and 2006. Butterflies Are Free (1969-72)1776 (1972)Huff (2004-06)Meet the Parents (2000)Were the Mulvaneys (2002)Back When We Were Grownups (2004) Or we would be amazed, if it weren't for the fact that we were always waiting for it. Most of all, Monroe, like Capote's Holly, "is a phony.

Gwyneth PaltrowJake Paltrow

1776 (1972)Huff (2004-06)Meet the Parents (2000)Were the Mulvaneys (2002)Back When We Were Grownups (2004).

The princess had emerged. As he wrote of his own alter ego, the unnamed narrator of Tiffany's, he lived perpetually with "his nose pressed on the glass", wanting "awfully to be on the inside staring out". The next time we see her, she is asleep, wearing an absurd eye-mask and dangling ear-plugs with little blue tassels.

Just say the name Marilyn, and most people will know who you mean. 2019 Nominee Movies for Grownups Award: Best Supporting Actress What They Had (2018) 2016 Marilyn Monroe left Los Angeles in November 1954 in hopes of starting her own independent film company and pursuing method acting in New York City.

She could be an ingénue, a naif, anything French you like.

Hepburn's next film, Sabrina, featured a more prolonged transformation, again from pony-tailed adolescent into pixie-cropped personification of soignée style. Danner studied acting and got her degree from Bard College and began her career in Boston theater companies.

Born Edwards's film is unquestionably escapist, and it eagerly encourages us not to think about how sordid and sad its characters and story actually are. Hepburn is standing, very slim, in a long, black column dress with a glittering, enormous collar necklace and the trademark black sunglasses that Jackie O would adopt a few years later. And it is a story about self-fashioning. The novella's Holly, her agent knows, is "strictly a girl you'll read where she ends up at the bottom of a bottle of Seconals".

Capote certainly did, and many critics followed suit: an early review declared that Hepburn was "viciously, pathologically miscast" as Holly. Primetime Emmy for Outstanding Guest Actress in a Comedy Series, https://willandgrace.fandom.com/wiki/Blythe_Danner?oldid=17436.

Hollywood has always pandered to us, selling a vast, vulgar and meretricious beauty. And it means something very different for a woman to be a tramp than for a man. AARP Movies for Grownups Awards.

Janet Adleris Grace's "screwed-up" older sister.

For her performance as Marilyn, Danner has been nominated for the Primetime Emmy for Outstanding Guest Actress in a Comedy Series in 2005 and 2006.

Monroe was originally cast as Golightly, but her drama coach, Lee Strasberg, told her that playing a call-girl was not good for her image. Like Fitzgerald's The Great Gatsby, Breakfast at Tiffany's is fundamentally a story of the American dream. Eventually, with My Fair Lady, Hepburn would play the ultimate transformed object in Eliza Doolittle, a woman who is initially not at all the author of her own transformation.

1 Biography 2 Notes 3 Media 4 References Throughout the series, Grace occasionally has mentioned Janet's bohemian lifestyle and her penchant for recreational drugs. This month, Anna Friel is set to star as Holly Golightly in a West End stage adaptation of the Hollywood version of Truman Capote's novella.

Most accounts treat this as yet another of Capote's many idiosyncracies, if they consider it at all – who could imagine Monroe instead of Audrey Hepburn in one of her most iconic roles?

Bard College The title credits roll over a scene of condensed, symbolic wishing: Hollywood as dream factory. It doesn't take much these days for a tale to be described as a "Cinderella story": anything resembling a makeover, however superficial, will usually suffice. Actress Blythe Danner/Winter Car Safety with Jeff Rossen/Someone's Got a Secret Week! All she needs are the right hat and a little black dress (it was Hepburn who turned the LBD into the wardrobe staple it remains today) and there she is, like magic, with the wave of a fairy godmother's wand.

The persona she consistently projected was of authentic, intrinsic refinement, of chic sophistication that was never brittle or cold, of an instinctive stylishness that reached its epitome in Breakfast at Tiffany's. Danner studied acting and got her degree from Bard College and began her career in Boston theater companies. "Amazed," responds Varjak – and so are we, the transformation is so quick, so easy, so absolute.

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How Truman Capote's novella became a great Hollywood film by Sarah Churchwell Sarah Churchwell Fri 4 Sep 2009 19.05 EDT First published on Fri 4 Sep 2009 19.05 EDT

For playing "Marilyn Truman". But in fact the innocence of Capote's Holly is willed, too – which is what Hollywood gets right.

You can call it sentimental, even cloying, cheap, manipulative. And unlike Monroe, who was always seen as having transformed into something artificial, Hepburn was only ever transformed back into her own luminous, immanent self. Box office: 0845 481 1870. Looking for something to watch? She has German, as well as English and Irish, ancestry. Take your favorite fandoms with you and never miss a beat. But it is precisely these little touches of normality, of the ordinary, that humanised Hepburn's image. But for anyone familiar with either Monroe or the novella, it's not really that much of a stretch. The film – like most Hollywood movies – is determined to view dreams as wish-fulfilment.

It's very moving and shows unstereotypical, private side of her.I am a big Capote fan and yes, Capote's Breakfast at Tiffany's and the movie are totally different things. She runs away to New York just as success in Hollywood seems assured – although Holly, unlike Monroe, knows she doesn't have it in her to be a star, because she lacks the drive that precisely characterised Monroe (as Capote understood). This chain of revisions might seem excessive, but it is quite fitting for a story such as Breakfast at Tiffany's, which is, in every sense, a romance about reinvention. Capote's Holly is essentially a variation on the hooker with a heart of gold, and the novella is dominated by a kind of willed cynicism, a veneer of sophisticated experience belied by the ending, in which the narrator sighs over his unconvincing hope that this "wild thing" has at last found a home.

The name Marilyn is a girl's name of English origin meaning "drop of the sea, bitter, or beloved + lake".. For a name that was in the Top 20 for a whole decade – the 1930's – Marilyn has attained the status of almost a one-person name. She fell in love with the city.

Children February 3, 1943Philadelphia, Pennsylvania, U.S.

But a redneck? Except this: some of them may have an honest tongue but they all have dishonest hearts.

She has an upturned nose, tousled, "somewhat self-induced" short, blonde hair ("strands of albino-blonde and yellow") and "large eyes, a little blue, a little green". Marilyn Truman (15 episodes, 2001-2020) American Gods (TV Series 2020) Demeter (1 episode, 2020) Strange But True (2019) Gail The Tomorrow Man (2019) Ronnie The Chaperone (2018) Mary O'Dell Patrick Melrose (TV Mini-Series 2018) Nancy Valance (2 episodes, 2018) Hearts Beat Loud (2018) Marianne Fisher Halfway There

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It is difficult to conceive of a woman less likely ever to have been called Lulamae, let alone "a hillbilly or an Okie or what" (as Holly's agent OJ Berman refers to Lulamae) than Audrey Hepburn. Moreover Holly, despite being blonde, is decidedly not dumb, and Monroe was desperate to escape being typecast. Blythe Danner was born in Philadelphia, Pennsylvania, to Katharine (Kile) and Harry Earl Danner, a bank executive. She groggily awakes and pulls on a man's tuxedo shirt – one of the film's few insinuations that she may entertain "gentlemen callers" overnight – and, hair awry, opens the door to George Peppard, playing Capote's alter ego: straightened, masculinised and elongated (Capote was just 5ft 3in).

At least 20 films and TV dramas have been produced from Capote novels, stories and screenplays. It is not just that Hollywood has to inject a love story wherever it finds a beautiful woman (although that is certainly the case) but that the man must ultimately redeem her, and himself, from a life of sexual opportunism that she describes in euphemistic terms as receiving money "for trips to the powder room", and he describes as "having a decorator". But on the other hand .

She is befriended by an extremely short, powerful Hollywood agent who recognises her potential and helps her reinvent herself, renaming her and providing her with access to education and a more sophisticated veneer.

Soon after came Funny Face, and another makeover, the first that the story represents as requiring an army of fashionistas and photographers (but only because it takes that many to overcome her character's resistance to being objectified). And much to her disappointment, she didn't win the part that had been written for, and about, her. One of the things that makes this transformation so effective is its apparent effortlessness. From Now, Voyager to Pretty Woman, Hollywood has sold stories that centre on metamorphosis, when ugly ducklings become beautiful swans or streetwalkers become homemakers. A hick from a Texas dirt-farm? Like Holly Golightly and Monroe, Jay Gatsby is a real phony.

Cinderella was not, originally, a poor child raised to the rank of princess. But Hollywood would never release Hepburn into the wild – not least because she so patently doesn't belong there. This chain of revisions might seem excessive, but it is quite fitting for a story such as. "Truman had been a friend to Jackie Kennedy but they had a falling out and when she asked him to arrange a meeting with Marilyn at his home, he … The film is, in a word, sunny; it is full of hope. With What Family Would You LEAST Like to Spend the Holidays? In a kind of inside-out Cinderella story, Hepburn, as Princess Ann, has one perfect day in Rome, riding around on the back of Gregory Peck's moped, before the clock strikes midnight and she returns to her duties, without Prince Charming, but secure in the knowledge of his love.



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