Although some of the similarities are undeniably striking and might be attributed to following a template, the degree of sophistication in the Nativity far surpasses the other two painters, according to Ainsworth. “Nativity,” which measures 17 feet long and a little more than seven feet high, depicts a host of angels flowing past Mary, Joseph and the newly born baby Jesus. [3] A tiny figure (atlante) hunches at the base of each pillar holding it up. “The scope and exuberance of Kershisnik’s ‘Nativity’ painting offer additional insight and layers of meaning to the biblical account of the birth of Christ,” said Museum of Art curator of religious art Dawn Pheysey. The setting is a wooden barn of such dilapidation that the roof is all but missing, so that golden light from heaven pours down on a scene that unfolds on two levels. Start with the lightest gray colors. [10] X-radiography reveals sketched orthogonal lines on the underpainting, used to indicate where the horizontal and vertical axis should meet at the main figures' heads, and that he used a compass to sketch the spandrels. This Christmas season, the Brigham Young University Museum of Art will welcome back one of Utah artist Brian Kershisnik’s newest and largest works, “Nativity.” The painting will be on public display from Tuesday, Dec. 11, through Saturday, Jan. 12, during regular museum hours in the West Lied Gallery on the museum’s main level. We enter the composition through three figures at the left who form a receding diagonal to draw the eye towards the new born infant lying in a manger full of golden hay. [33] Upton explains that when viewed in the context of the first mass the iconography is more clearly defined. [30], The setting represents the Mass – the angels are clothed in Eucharistic vestments, with those on the far right dressed in a deacon's cope. [6] Earthly sin and strife, anger and revenge, are represented in the warriors in the corner spandrels, and signify that which Christ's birth would bring to an end. Paint the third payer mountain line. Paint the first rays on the canvas with just the phthalo blue. It was one of 126 paintings from his personal collection donated to the gallery and was on display at the museum opening in March 1941 – three years after his death.

From the end of the 13th century, we hear of life-sized sculptural groups of the Nativity constructed in special rooms for devotional purposes. Be kind to strangers. by Aaron Searle This Christmas season, the Brigham Young University Museum of Art will welcome back one of Utah artist Brian Kershisnik’s newest and largest works, “Nativity.” The painting will be on public display from Tuesday, Dec. 11, through Saturday, Jan. 12, during regular museum hours in the West Lied Gallery on the museum’s main […]


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