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If you want quality pencil condenser mics with less cost, go with the M5. Both the NT4 and NT5 come in rigid, foam-lined plastic cases with mounting clips. Very durable, have seen ours get dropped by students and still work flawlessly Bereits die Technik des Rode NT5 Kondensatormikrofons erweist sich als insgesamt beeindruckend und zeitgemäß. I bought this based upon a friends recommendation to record some scratch tracks for upcoming demos. - h... Achieves good subjective results on a wide range of instruments. Der klassische Einsatzbereich des Rode NT5 wurde bereits spezifiziert. They will help make rich and clear recordings in the studio or during live performances. The whole kit is supplied in a small tin box with a sculpted foam lining, which means you won't have to find space for yet another bulky camera case! The low self-noise comes from the surface-mount electronics and lack of transformers. Now please note I alluded to a directional choice in the last paragraph. They can withstand a sound pressure level of 140 decibels, plenty for most live performances. They pleased lots of recording artists before RODE created the M5s as a less-expensive option. RODE used their experience with the more-expensive NT5 mics and created the M5 as a superior option for their price range. Power options for the MP5 mics are limited to 24 or 48-volt XLR connected phantom power. There are no pad or roll-off switches. If you're considering the NT55, you might want to check out: the SE3 (cardioid only) and SE2A (cardioid, hypercardioid and omni capsules included) by SE Electronics; the AT 3031 (cardioid) and AT 3032 (omni) by Audio-Technica; the AKG C451B (cardioid, but with various other capsules available); the Sontronics STC1 (cardioid); and M-Audio's Pulsar (cardioid). Built like tanks, clips are very tight and sturdy, and the case is great.

Dieser aktive J-FET-Impedanzwandler fungiert innerhalb des Mikrofons jedoch gleichzeitig als Mikrofonverstärker. This is a respectable figure, and not atypical for mics based on this type of capsule. David Clark H10-30 vs H10-13.4 vs H10-13.4 Review, Fender FA-100 vs Epiphone DR-100 vs Jasmine S35 Review, Alesis DM6 vs DM7X vs DM8 vs DM10 vs DM10 X Review, 1-year warranty, up to 10 years with registration, Box includes wind shields and stand mounts, Each mic weighs a little than 3 ounces, measures0.87 inches in diameter and 3.94 inches long, Ceramic matte-black coating over an all-metal housing, Weigh 3.56 ounces and measure 4.65 inches long (half an inch more than the M5 mics), Box includes with stand mounts and wind shields, Stand mounts are compatible with 3/8” and 5/8” threads. Es kann heute auch mit recht großem Erfolg zur sogenannten X/Y-Stereomikrofonierung eingesetzt werden. On to the sound, very well balanced, a little bright which is to be expected but not a deal breaker. Das TF-5 ist also 9 bzw. These mics sound crystal clear! I couldn't fault the build quality of the mics, both of which feature impressively machined metalwork finished to a very high standard. Seine Bauweise und seine hochwertige Verarbeitung prädestinieren des Rode NT5 Mikrofon jedoch nicht nur zur Abnahme von Percussion-Instrumenten.

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Bright, complex sounds … To make it short, the Joly caps do sound better on the NT5 bodies to my ears. (This content has been automatically translated from French).



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