Tournai 1399 - Brüssel 1464 Rogier van der Weyden, who was originally called Rogier da la Pasture, was born as the son of the knife-maker Henry de la Pasture in 1399 or 1400. This evidence of the painter's instinctive austerity confirms Erwin Panofsky's view (1953) that "Weyden's world was at once physically barer and spiritually richer than Jan van Eyck's.". Poznavali su ga i posjećivali mnogi talijanski umjetnici s kojima je razmjenjivao ideje i tehnike, a u svom ga djelu De Icona (O slici) spominje i talijanski humanistički teolog Nikola Kuzanski. Only a few years later he had become a highly recognized artist and man of social acclaim. Like no other painter of the 15th century outside Italy, he developed compositional and figural principles, which were adopted into every genre of … Rogier was born in Tournai around 1399/1400, son of the cutler Henry de le Pasture and Agnes de Wattrelos. naručen za Hôtel-Dieu (konačište za hodočasnike) u burgundskom gradiću Beaune. Rogier van der Weyden. The formal beauty and spiritual intensity of Weyden's art, however, made Netherlandish painting more readily accessible to succeeding generations of artists than the work of his two major contemporaries. The Flemish painter Rogier van der Weyden (1399-1464) was the most influential northern artist of the 15th century. - 18. lipnja 1464.)

Rogier van der Weyden (Dutch: [roːˈɣiːr vɑn dɛr ˈʋɛi̯də(n)]) or Roger de la Pasture (1399 or 1400 – 18 June 1464) was an Early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits. The synthesis of the newly acquired "monumental style" with Weyden's inherently abstemious outlook is achieved in the Bladelin Triptych in Berlin-Dahlem (ca. Postao učenikom slavnoga slikara Roberta Campina, poznatog kao „Majstor iz Flemalea“. 1399 - Umjetnička ocjena o njemu se temelji na još nekoliko djela koja mu se prepisuju, među kojima je i Posljednji sud (1444.-1448.) Životopis. Forms are elongated and dematerialized, thus conveying the spiritual message of the work in essentially abstract and stylized terms. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Terms of Use Harvey Miller, 1997. c.1440. Rogier van der Weyden received his artistic training from the painter Robert Campin between 1427 and 1432, probably initially training as a … Of all Weyden's paintings, none more fully reveals the artist's fundamental "Gothicism" in combination with a creative approach to the art of the past. Chaucer Press, 2005. Rogier van der Weyden (født omkring 1400 i Tournai, død 18. juni 1464 i Brussel) var en flamsk maler knyttet til renessansen.. Rogier van der Weyden jobbet mesteparten av sitt liv i Brussel og han hadde status som byens offisielle maler. Rogier van der Weyden (1399./1400. The formal beauty and spiritual intensity of Weyden's art, however, made Netherlandish painting more readily accessible to succeeding generations of artists than the work of his two major contemporaries.

Premda nije poznavao Jan van Eycka, sigurno je bio upućen u njegov rad jer je način na koji je upotrebljavao uljene boje i pozornost detaljima svojstveno obima autorima.

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