These Tales of the Arabian Nights inspired Russian composer Nikolay Rimsky-Korsakov to compose a symphonic suite called Scheherazade in 1888. The trick here for me is not to overdo the sentimentality and detract from the innocence of this beautiful story. Scheherazade weaves her tales seamlessly, starting with "The Sea and Sinbad's Ship." Hulton Archive/Getty Images Joshua Gersen recently concluded his tenure as the Assistant Conductor of the New York Philharmonic, where he most notably made his subscription debut in 2017 on hours’ notice to critical acclaim filling in for an ailing Semyon Bychkov. After one of his wives cheats on him, he decides to take a new wife every day and have her executed the next morning. He received an Honorable Mention in the Woolsey Concerto Competition in 2017 for his performance of Oliver Knussen’s Horn Concerto, and in 2014 he performed Gordon Jacob’s Concerto for Horn and String Orchestra with the Meadows Symphony Orchestra at Southern Methodist University.
We hear the waves undulating (audio), retreating and growing in intensity. Scheherazade, Op. For me, it's important not to have too many obvious arrival points, but rather to steer towards a goal and then veer away from it like the music and the story both do. Mr. Leger is an active arranger and composer of music for horn, wind quintet and other instrumentations, with the explicit goal of finding compositional genres and styles that have eluded these ensembles and finding a way to make this music adaptable, in hopes to enhance both the repertoire of the ensemble and to also breathe new life into the music. To have a harpist who can transform the evening with three chords or a violinist capable of weaving surprise, suspense and sensuality into the many appearances of Scheherazade, is truly magical. Each morning, when the executioner has arrived at his door, the Sultan has sent him away, saying "Come back tomorrow," so that Scheherazade can continue her tale. As a soloist, Mr. Leger has performed in international competitions, most recently receiving Second Prize in the University Division of the International Horn Competition of America.

When he is not at the cello, he enjoys composing, watching stand-up comedy and studying languages. He currently serves as the interim Director of Orchestras at Boston University for the 2019-20 school year. Every night she would tell him a story, and leave it hanging.

He also served this program as a Teaching Artist, and continues to present master classes and seminars to high school brass players in Houston and Dallas. The second movement opens with Scheherazade's voice again, but each time, it's more elaborate and more ornamented. Scheherazade responds in the voice of the solo violin (audio), weaving effortlessly up and down the instrument, like the mesmerizing sounds of a snake charmer. In addition, he has performed with the Omaha and South Dakota symphonies as a substitute musician, and has received fellowships to spend his summers at a variety of music festivals including the Tanglewood Music Center, National Repertory Orchestra, Norfolk Chamber Music Festival and National Orchestral Institute. Receiving certification from the State of Texas to teach music for grades EC-12 in 2016, Mr. Leger has maintained an active teaching schedule.

Mr. Gersen’s other recent guest conducting appearances include performances with the Chicago Symphony, St. Louis Symphony, Detroit Symphony, Toronto Symphony, Hannover Opera, New Jersey Symphony, Indianapolis Symphony, San Antonio Symphony, Phoenix Symphony, North Carolina Symphony and the Colorado Music Festival. After 1001 nights of captivating storytelling, the Sultan forgives his young bride Scheherazade. We Insist: A Timeline Of Protest Music In 2020, Middle Eastern-sounding melodic solos (audio). But … As far as stories go, it's hard to top Nikolai Rimsky Korsakov's Scheherazade. East meets West as the Charleston Symphony performs Rimsky-Korsakov’s Scheherazade, which is based on the collection of middle-eastern folk tales, One Thousand and One Nights.

The Sultan Forgives Scheherazade by Arthur Boyd Houghton (1836-1875). So Scheherazade thought up a plan.
In Rimsky-Korsakov’s own words, “The Sultan Schariar, convinced that all women are false and faithless, vowed to put to death each of his wives after the first nuptial night. My understanding of how important the concept could be was cemented by Leonard Bernstein when I went to a New York Philharmonic rehearsal.

Bernstein raised his hands up and asked, "Do I have to tell you the story of this Haydn symphony?". 35: IV. The piece opens with the Sultan, a big and burly theme (audio) filled with gravitas and ego, almost saying "Here I am, strong and powerful. The harp offers three chords, sending us from consciousness to an altered state of being. I try to keep the sound simple yet intimate and never overwrought. She continues to spin her tales of wonder while gradually bringing in every theme from the previous movements, deftly tying everything together. Scheherazade is the young bride of the Sultan. Robert Spano, Atlanta Symphony Orchestra, Nikolai Rimsky-Korsakov: Robert Spano, Atlanta Symphony Orchestra, Nikolai Rimsky-Korsakov - Scheherazade • Russian Easter Overture ‎ (CD, Album) Telarc Digital: CD-80568: Germany: 2001: Sell This Version

As an educator himself, Mr. Gersen has worked often with students and ensembles at The Juilliard School, Manhattan School of Music, Boston University and Curtis Institute of Music. For centuries, composers have tried to spin tales in music. The main love story in Scheherazade is found in the third movement, called "The Young Prince and the Young Princess." The music begins with an impatient Sultan, his theme hurriedly coaxing Scheherazade to finish the story. His work as a composer has also led to an interest in conducting contemporary music.

Scheherazade shows her true genius in the final movement, "The Festival at Baghdad; The Sea; Shipwreck on a Rock; Conclusion." He has performed as a soloist with the Kentucky Symphony, Blue Ash-Montgomery Symphony and the combined forces of the Cincinnati Symphony Orchestra/Cincinnati Symphony Youth Orchestra, as well as many others. This Thanksgiving, the Houston Symphony presents one of the repertoire’s most popular orchestral works: Rimsky-Korsakov’s Scheherazade.Discover the story behind this masterpiece inspired by The One Thousand and One Nights. Mr. Gersen’s previous conducting posts include the Music Director of the New York Youth Symphony and the John S. and James L. Knight Foundation Conducting Fellow of the New World Symphony, where he served as the assistant conductor to the symphony's Artistic Director Michael Tilson Thomas. Every modulation represents an unexpected turn in the story, and I try to maximize the surprise of these twists. By this time, the Sultan has forgotten to tell the executioner to return the next day.

Mr. Fryxell is passionate about music from all eras, but especially enjoys studying Baroque music and its cultural influences, as well as current trends in concert music. East meets West as the Charleston Symphony performs Rimsky-Korsakov’s Scheherazade, which is based on the collection of middle-eastern folk tales, One Thousand and One Nights. 1 and Fantasy for Chamber Orchestra have been premiered in New England Conservatory's celebrated Jordan Hall. 'Scheherazade,' 1001 Nights Retold in a Symphony For centuries, storytellers of the Middle East have been retelling the tales of Sinbad and Aladdin. She marries the Sultan in order to save all future young women from this fate. Mr. Gersen is the recipient of a 2015 and 2016 Solti Foundation U.S. Career Assistance Award.

What do you have to say for yourself?". He received his master of music degree from the New England Conservatory in 2019, where he studied with Yeesun Kim, and his bachelor of music degree from The Juilliard School, where he studied with Natasha Brofsky. It's a treasure trove—a story about one of history's greatest storytellers and the tales she weaves.

Subscribers can watch performances live or on-demand from our archive. Hear two selections from 'Scheherazade' conducted by Marin Alsop's mentor, Leonard Bernstein (leading the New York Philharmonic in 1959). We hear his low voice at the end, finally subdued and tamed by Scheherazade (audio). He can barely contain himself by this point, in his excitement to hear what happens next. The challenges posed in conducting Scheherazade are fascinating. That way, when the final statement (audio) arrives, complete with cymbal crash, there's room to really go over the top. He has had works performed by the New Mexico Symphony and the Greater Bridgeport Symphony. These typically reserved musicians were practically jumping up and down, nodding their heads in anticipatory glee, like children at story time. Performing on the Yale School of Music’s Vista Recital Series and Oneppo Chamber Series, he has presented Brahms’ Trio in E-flat for Horn, Violin and Piano; Mozart’s Quintet for Piano and Winds and his own transcription of Shostakovich’s String Quartet No.

• Scheherazade: Scores at the International Music Score Library Project (IMSLP) It was written specifically for the violinist Leila Josefowicz, who performed its world premiere with the New York Philharmonic under Alan Gilbert at Avery Fisher Hall on March 26, 2015.


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