For this reason, and also because so much of his best work remains in Venice, his art has been rather neglected by comparison with other Venetian contemporaries, such as Giovanni Bellini or Giorgione. The works dates to Carpaccio's mature period, when he was commissioned by the "scuola" (guild or corporation) of the Schiavoni (Dalmatians) to execute a cycle of nine paintings narrating the stories of their patron saints (George, Jerome, Augustine and Tryphon). Carpaccio was born in Venice, the son of Piero Scarpazza, a leather merchant. Of the same year is a Young Knight in a Landscape, now in the Thyssen-Bornemisza Collection of Madrid. The work began in 1502 and was completed in 1508. Then the St. George story addressed the theme of conversion and the supremacy of Christianity. Site Map, Wholesale handmade oil painting reproductions of famous artist(old master) direct from the studio. The works dates to Carpaccio's mature period, when he was commissioned by the "scuola" (guild or corporation) of the Schiavoni (Dalmatians) to execute a cycle of nine paintings narrating the stories of their patron saints (George, Jerome, Augustine and Tryphon). The Legend of Saint Ursula (Italian: Storie di sant'Orsola) is a series of large wall-paintings on canvas by the Italian Renaissance artist Vittore Carpaccio, originally created for the Scuola di Sant'Orsola (Ursula) in Venice. Documents trace the family back to at least the 13th century, and its members were diffused and established throughout Venice. Carpaccio's depiction of the event thus has a long history; less common is his rendition of the baptism moment. The Virgin Reading, possibly a fragment of a much larger work, St. Thomas in Glory between St. Mark and St. Louis of Toulouse, The Blessing Redeemer between Four Apostles. At the side of the altars are two twin portals, with fine decorations in Renaissance style. The work portrays the traditional episode of Saint Jerome appearing to St. Augustine to announce his imminent death and departure to Heaven. Augustine sits on a bench over a pad, covered with green cloth and lined with studs; the desk is supported by a candelabrum. For the painting of the same name by Botticelli, see, "British Museum Description of Object 1934,1208.1", https://en.wikipedia.org/w/index.php?title=St._Augustine_in_His_Study_(Carpaccio)&oldid=977407304, Creative Commons Attribution-ShareAlike License, This page was last edited on 8 September 2020, at 17:21.

In the 1940s, the paintings underwent restoration that has since discoloured Carpaccio's original vibrant palette to amber tones. The subject of the works, which are now in the Gallerie dell'Accademia, was drawn from the Golden Legend of Jacopo da Varagine. In September 2019, an expected two-year conservation campaign began under the sponsorship by the non-profit organization Save Venice Inc. Wholesale Oil Paintings | Between 1511 and 1520 he finished five panels on the Life of St. Stephen for the Scuola di Santo Stefano. This page was last edited on 12 August 2020, at 09:52. Carpaccio portrayed the African saint in his studio, in the moment in which he is distracted from his reading by the voice of Jerome, coming as a luminous shape in the window near the desk. For example, St. Jerome, translated the Greek Bible to Latin (known as the Vulgate) in the fourth century. According to the Golden Legend, George, a Christian knight, rescues a Libyan princess who has been offered in sacrifice to a dragon. View Order | Carpaccio's late works were mostly done in the Venetian mainland territories, and in collaboration with his sons Benedetto and Piero. Resource Links | Shop for vittore carpaccio art from the world's greatest living artists. Carpaccio's earliest known solo works are a Salvator Mundi in the Collezione Contini Bonacossi and a Pietà now in the Palazzo Pitti. Here is a further number of details: a table with three couples of crossed legs and covered by a red tablecloth, further books, and, on a shelf running for the room's perimeter, several scientific and astronomical instruments, including Regiomontanus' astrolabe which, at the time, was owned only by John Bessarion, and is likely to have inspired Carpaccio for the saint's representation. He is best known for a cycle of nine paintings, The Legend of Saint Ursula. On the left two long shelves, housing more books with gaudy covers, a series of antiques (vases, bronze and others), a candle basement shaped as a lion paw (another is placed symmetrically on the opposite wall) and, below, large volumes, a seat and a prie-dieu.



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