He believed in a scientific, as well as poetic, approach to painting landscapes, and he thought that one should paint real life and not just from the imagination. But this great artist created so much more than might be suggested by his most famous works. © www.John-Constable.net 2020. Search. Clouds is one of around fifty extant paintings of the sky which Constable made in Hampstead, between 1821 and 1822, and it has been speculated that he produced more than one hundred such studies at … Constable quietly rebelled against the artistic culture that taught artists to use their imagination to compose their pictures rather than nature itself. Clouds 1822 Il a également été professeur à l'université de Cambridge (Angleterre). Watch Queue Queue. Possibly exhibited Paterson Gallery, 1828; collection of Charles Robert Leslie (1794–1859), by 1843; included in the Charles Robert Leslie estate sale, Foster's, London, 25-28 April 1860, no. Remove all; Disconnect; The next video is …

Constable referred to the time he spent painting the skies as ‘skying’, and this timeless cloud study allows us all to indulge in some ‘skying’ in the spirit of the artist. By contrast his cloud studies are full of very little at all, lightly floating, apparently insubstantial, and yet they have the same ability as their creator’s solid, earth bound works to captivate anyone who looks upon them. The National Gallery of Victoria acknowledges the Traditional Custodians of Melbourne, National Gallery of Victoria’s copyright policy, Victorian Foundation for Living Australian Artists, NGV School and Community Support Programs, International Audience Engagement Network (IAE). Find more prominent pieces of marina at Wikiart.org – best visual art database. Loading... Close. Cloud Study, 1821 (Oil on Paper Laid Down on Board) is part of the Paul Mellon collection at the Yale Center for British Art in New Haven, Connecticut. Born in Suffolk, he is known principally for his landscape paintings of Dedham Vale, the area surrounding his home - now known as "Constable Country"- which he invested with an intensity of affection. This video is unavailable.
30.0 × 48.8 cm This image is available to download for publications and non-commercial use. The art historian; Ernst Gombrich, wrote that Constable refused to be more impressive than nature and Constable’s cloud studies illustrate just how hugely impressive nature, in its simplest form, can be. It shows an uncanny understanding of the ephemeral nature and structure of a cloud formation with just a fraction of detail at the base of the painting to anchor sky to earth. Australia 3004, For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy. Where an image is used in a hard copy publication one complimentary copy must be sent to: NGV Publications department

oil on paper on cardboard He considered the sky of paramount importance to landscape painting, and in a letter of 1821 to his close friend John Fisher, he wrote: ‘It will be difficult to name a class of landscape in which the sky is not the keynote, the standard of scale, and the chief organ of sentiment … The sky is the source of light in Nature, and governs everything’. He told Leslie, "When I sit down to make a sketch from nature, the first thing I try to do is to forget that I have ever seen a picture". If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication. National Gallery of Victoria, MelbourneFelton Bequest, 1938 27; Constable: Paintings, Watercolours and Drawings, Tate Gallery, London, 1976, no.

An error occurred, please make a Reproduction Request. Constable. 27. All Rights Reserved, Salisbury Cathedral from the Bishop's Grounds, Flatford Mill (Scene on a Navigable River). 207; Constable’s Skies, Salander-O’Reilly, New York, 2004, no. Photo: National Gallery of Victoria, Melbourne, Where possible, the image must be reproduced in full (no cropping or over-printing). Skip navigation Sign in. Melbourne VIC He was one of the first artists to work using oils in the open air (‘en plein-air’), transferring what he could see directly onto paper or canvas. PO Box 7259 Clouds are all sorts. Constable made his intense examination, which he called ‘skying’, to precisely record different weather and atmospheric conditions, in preparation for his grand landscapes. Constable said that painting was another word for feeling, and his cloud studies certainly bear witness to this idea.


John Constable (1776 – 1837) is one of Great Britain’s best loved landscape painters, with prints of works such as Flatford Mill and The Hay Wain decorating endless biscuit tins and placemats around the world. His famed larger landscapes are busy and full of detail. The art historian; Ernst Gombrich, wrote that Constable refused to be more impressive than nature and Constable’s cloud studies illustrate just how hugely impressive nature, in its simplest form, can be. John Constable (11 juin 1776 à East Bergholt, dans le Suffolk, en Angleterre - 31 mars 1837 à Hampstead, Londres, en Angleterre) est un peintre paysagiste britannique du XIX e siècle. Watch Queue Queue. They are a medium of revelation, through which the gods show themselves. For commercial uses, please complete an online Reproduction Request Form. 86 (17 Sky studies); collection of Sir Michael Sadler (1861–1943), London, before 1938; with Spink and Son (dealer), London, 1938; from where acquired, on the advice of Sir Sydney Cockerell, for the Felton Bequest, 1938. John Constable (11 June 1776 - 31 March 1837) was an English Romantic painter. Some of the pictures included little clues and reminders of the earth below; treetops and birds in flight, but Constable’s focus was on the sky and, more importantly, the cloud formations as they drifted or blew over him. Exhibited John Constable, the Natural Painter: 62 Paintings and Drawings from Great Collections, Auckland City Art Gallery, Auckland; National Gallery of Victoria, Melbourne; Art Gallery of New South Wales, Sydney, 1973–74, no. ‘Skying’ was so critical to Constable, that his approach was scientifically methodical, which is borne out by his inscription on the back of Clouds. The variations of light to dark, greys skimming across white, overlaying infinite shades of blue, have a subtle, hypnotic ability to draw in the observer, so that it is possible to lose oneself and, with the birds in the painting, soar up to the heavens, blissfully unaware of anything else. Biographie. Clouds is one of around fifty extant paintings of the sky which Constable made in Hampstead, between 1821 and 1822, and it has been speculated that he produced more than one hundred such studies at the time.

Constable. By ticking the below box, you agree to these conditions: The artist, title and date of the work must be listed anywhere the image is reproduced, John Constable

‘Seascape Study with Rain Cloud’ was created in c.1827 by John Constable in Romanticism style.


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