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Jordan’s subsequent travels to Lebanon allow her to probe this question of solidarity more deeply.

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She saw the silencing of debate as an affront to the intellectual and moral life of our country. “Jordan begs us to trust one another and to tell the truth, to read the world more closely, to learn the wisdom of those who came before, who resisted before, and loved before." For Arab feminists of my generation, June Jordan brought us out of our invisibility. She shared Arabic coffee with those in mourning, bore witness to the strangulation of Israeli occupation and the US-sponsored arsenal of death, and through her writing tied our suffering to the terrors of anti-Black racism and police violence in the US. They called your apartments and gardens guerrilla strongholds. And her words were prophetic about the unabated, yet largely accepted violence against Arabs and Muslims that was to ensue under the guise of “The Global War on Terror.”.

She never deformed our truths with niceties. She visited Palestinian refugee camps after the massacre of Sabra and Shatilla in 1982.

Free Speech TV is carried by Dish, DirecTV, Roku, and Apple TV. Beginning each line with “I do not wish to speak about . For Arab feminists of my generation, June Jordan brought us out of our invisibility. She called us family.

For this, Jordan—like so many others (Arabs, Jews and other allies)–experienced smears, censorship, and distortions of her words.

Subscribe to The LF Show newsletter and get news, updates and commentary right to your inbox every week. To watch The Laura Flanders Show on Roku TV, you need a Roku device. She embodied transnational feminist solidarity long before it was in vogue. She is co-editor of Gender, Politics and Islam (2002) and Intersections: Gender, Nation and Community in Arab Women’s Novels (2002). “Jordan begs us to trust one another and to tell the truth, to read the world more closely, to learn the wisdom of those who came before, who resisted before, and loved before.” says Monet. Pingback: "Naming Our Destiny": Afterword to The Feminist Wire's Forum on June Jordan - The Feminist Wire, Pingback: June Jordan’s Songs of Palestine and Lebanon |, All Content ©2016 The Feminist Wire

This is my song to June Jordan, who did not die, for as she wrote, “My life seems to be an increasing revelation of the intimate face of universal struggle” (1981, xi). Apple devices include: The LF Show streams on the Free Speech TV channel of Apple TV. If you live in the New York area, you can watch The Laura Flanders Show on CUNY TV.

Jordan also understood that to speak of Palestine was “the ultimate taboo, a taboo behind which the fate of entire people, the Palestinians, might be erased” (2002, 193). “Jordan begs us to trust one another and to tell the truth, to read the world more closely, to learn the wisdom of those who came before, who resisted before, and loved before.” says Monet. They said something about never again and then they made close to one million human beings homeless in less than three weeks and they killed or maimed 40,000 of your men and your women and your children But I didn’t know and nobody told me and what could I do or say, anyway? There you can find The Laura Flanders Show. (Click here to get it now.)

She insisted on drawing clear analogies between anti-Arab racism and the resonant history of anti-Black racism that Americans more readily comprehend.

Hence they were and they are only Arabs, or terrorists, or animals. Apologies to All the People in Lebanon.

This bold Black woman, this brilliant poet, never retreated from speaking unspeakable truths. Her piercing critique of American complicity, the security state under the guise of democracy, and her celebration of resistance resonate with her earlier writings.

They said you shot the London Ambassador and when that wasn’t true they said so what They said you shelled their northern villages and when U.N. forces reported that was not true because your side of the cease-fire was holding since more than a year before they said so what They said they wanted simply to carve a 25 mile buffer zone and then they ravaged your water supplies your electricity your hospitals your schools your highways and byways all the way north to Beirut because they said this was their quest for peace They blew up your homes and demolished the grocery stores and blocked the Red Cross and took away doctors to jail and they cluster-bombed girls and boys whose bodies swelled purple and black into twice the original size and tore the buttocks from a four month old baby and then they said this was brilliant military accomplishment and this was done they said in the name of self-defense they said that is the noblest concept of mankind isn’t that obvious? Excerpt: Aja Monet Reads “Apologies to All The People in Lebanon” by... Resisting Authoritarianism One Co-op at a Time, Riane Eisler: Partnerships in the Post Industrial Economy, Special Report: Self Governance – The Southern Movements’ Way, A smart TV with the Apple TV app installed.

I really am sorry.

What was the problem?

July 4, 1974. She embodied transnational feminist solidarity long before it was in vogue. Apologies To All The People In Lebanon Poem by June Jordan - Poem Hunter. She recognized “At the end of this century massacre/remains invisible unless the victim/skin reads white” (1985, 127). This bold Black woman, this brilliant poet, never retreated from speaking unspeakable truths. Enter your information in the form and a representative will contact you shortly. They said you were Arabs. June sat in our living rooms after the worst massacres, expressed those unspeakable atrocities, and the grief, terror and rage in our hearts. Aja Monet celebrated iconic poet June Jordan, in a reading of a poem dedicated to the 600,000 Palestinian men, children, and women who lived in Lebanon from 1948 to 1943. . She found strength in the steadfastness of the Lebanese cedar, in Palestinian resistance. That intimate face—Black, Arab, queer, Nicaraguan, South African, Cuban, Palestinian, Lebanese, woman—lives on in her words. There was the Mediterranean: You could walk into the water and stay there. Saliba is on the advisory board of the online Brill Encyclopedia of Women and Islamic Cultures and Gaza Mental Health Foundation, and works locally with the Rachel Corrie Foundation for Peace & Justice. Didn’t you read the leaflets that they dropped from their hotshot fighter jets? The Laura Flanders Show airs on Link TV at the following times. Are you interested in learning more about lauraflanders? June Jordan, “Poem About My Rights” from Directed By Desire: The Collected Poems of June Jordan (Port Townsend, WA: Copper Canyon Press, 2005). Go! This scathingly satirical piece exposes the excuses, the failure of recognition and solidarity, the emptiness of apology in the face of this brutally executed invasion. Check your local listings to find out what channel CUNY TV is for you.

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If you have an Apple TV subscription, you can download the Free Speech TV app for Apple TV free in the app store.

I went because I believe that to be Muslim and Arab is to be a people subject to the most uninhibited, lethal bullying possible.” pursued from a heart of rage or terror or grief.

The Laura Flanders Show airs on the Free Speech TV channel at the following times: Check your local listing to see what channel number Free Speech TV is by you.

And today with the unabated killings of Black men and women, I carry her words from “Poem about Police Violence” (1974): “What you think would happen if/ every time that they killed a black boy, then we killed a cop.” A simple yet searing question that cuts to heart of racism and power and state violence. In this process of becoming other, the lines between I/Palestinian, my/our merge in collective grief, moving toward a kind of home in the world. She reminded us back in the early 1980s that it wasn’t just Lebanon that was engaged in a so-called “Civil War”, but that there was a deep history and ongoing White/Black confrontation in our own country that looked a lot like civil war. Her poem “Moving Towards Home” (1985, 132-34) repeats a list-like elegy to the horrors she witnessed in Sabra and Shatilla camps. Today a video circulates, When I see them, I see us—a montage of poetry and images juxtaposing the anti-Black violence and the violence of Israel occupation, with statements of Black-Palestinian Solidarity—this is one of Jordan’s legacies. . Her books and poems were a place where these roles could merge together or be non-existent altogether. In the face of vicious charges of anti-Semitism, and “the awesome determination by whitemen in this country, to silence or to discredit American dissent,” Jordan is left wondering what life after Lebanon would be like (193). They said they were victims. They called the screaming devastation that they created the rubble. Once you have installed the Free Speech TV app, search for The Laura Flanders Show. Apologies To All The People In Lebanon poem by June Jordan. It’s Hard to Keep a Clean Shirt Clean. Living Room: New Poems, 1980-1984 (New York: Thunder’s Mouth Press, 1985), 45-46, 104-106, 127, 132-134. . By June Jordan. . In the wake of 9/11, and months before her own death, Jordan wrote the introduction to her final collection, Some of Us Did Not Die (2002). “Eye Witness in Lebanon,” The Progressive (August 1996), 13. She critiques how “the courtesies of order. Significantly, Jordan uses a negative construct to expose the mechanisms of silencing, even as she bears witness to these “unspeakable events.” The poem turns from these silencings to impugning the logic of genocidal exclusion and the sanitized discourse that attempts to cover over the horrific violence that assaults our collective humanity.

This poem has not been translated into any other language yet. They told you to go. .

Check your local listings to find out what channel Link TV is for you. .

For Jordan, those silences centered on her “gay rights” or bisexuality, and on Palestine—issues she saw as the most silenced in US society (A Place of Rage, 1991). Nor do I wish to speak about. In “Civil Wars” (1981) Jordan recounts how the activist community gathers in the wake of yet another crisis and enacts rituals of polite behavior.

defuse and deform the motivating truth of critical human response to pain” (179).

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