Lorenzo Bartolini (Italian, 1777-1850) $1,500 - $2,500, Description:

£6,000 - £8,000. ( Log Out /  Particularly noteworthy are the busts of historical personalities such as the Bonaparte family, to whom Bartolini was especially close.

Another resides in the Hermitage, St Petersburg, Estimate: There is veining to the marble consistent with the material, including a few white veins at the proper left shoulder blade and the proper left arm. The Tuscan sculptor Lorenzo Bartolini executed some important Napoleonic commissions. Estimate: OTHER NOTES: £3,000 - £5,000, Description: Italian 19th Century Drawings and Watercolors: An Album. “Não nascemos, mas nos tornamos mães...” Motherhood - Artist Unknown. Giovanni Piancastelli (1845-1926), painter, collector and Director of the Galleria Borghese, Rome;

(45.3 cm.)

deep; the opening 39 in.

Entourage de LORENZO (BARTOLINI 1777-1850) Buste mortuaire de Napoléon lauré portant la croix de la Légion d’Honneur Bloc en marbre blanc L : 49 cm ; L : 33 cm ; H : 35,5 cm. Three chips to the base and a restored chip to front edge, loss to beak of bird (refer to extra images) the rest in good order.

ITALIAN The Museum hosts the first marble model for the Monument to Nicholas Demidoff (1837), the most challenging feat of Bartolini’s life. high, Estimate:

Lorenzo Bartolini [Italian Sculptor, 1777-1850] Guide to pictures of works by Lorenzo Bartolini in art museum sites and image archives worldwide.

€8,000 - €12,000. Ce sculpteur eut comme principal commanditaire Napoléon lui-même qui le nomma en 1807 Directeur de l'Académie de sculpture de Carrare et devint le sculpteur officiel de la famille Bonaparte. (27 x 18.7 cm.) EXHIBITED: Prato, Palazzo Pretorio, "Lorenzo Bartolini," 1978, no. I agree. In questo esemplare la sovrana è abbigliata con tunica all'antica, appuntata sulla spalla, i tratti del volto sono idealizzati e modellati come in un cammeo classico.

There are restored breaks to the upper rim, and evidence of old dowels.

Description: Description: Connecting UK Communities with their Sculpture Heritage. Modernists and traditionalists will find works to covet within this catalogue. Signed upper left: ALL AMICO ORAZIO COTANZA HALL LI 1840 Deretour en Italie, il fur professeur à l'Académie de Florence. View in Street View.

(Venus left hand and right foot restored), Estimate: A PROJECT FOR THE FUNERAL MONUMENT OF ELIZA BACIOCCHI, BOLOGNA inscribed "poesie."

AN ITALIAN CARVED MARBLE BUST OF A MAN BY LORENZO BARTOLINI (1777-1850), DATED 1834 Inscribed to the reverse 'Bartolini, 1834' 28 in. Estimate: arslua has uploaded 1028 photos to Flickr. ", Estimate: Borgo San Frediano 70, 50124 Firenze, Italy+39 055 2396047 – galleria@raffaelloromanelli.com Lorenzo Bartolini (Prato, 7 January 1777 – Florence, 20 January 1850) was an Italian sculptor who infused his neoclassicism with a strain of sentimental piety and naturalistic detail, while he drew inspiration from the sculpture of the Florentine Renaissance rather than the overpowering influence of Antonio Canova that circumscribed his Florentine contemporaries. There is minor veining to the marble, consistent with the material, including a very minor vein to the lady's proper left cheek and to the proper left side of the chest, and to the centre of the neck. Lorenzo Bartolini art links Lorenzo Bartolini: La … (35.5 cm.) Il réalisa des portraits de l'Empereur, de sa sœur mais aussi de Joseph Bonaparte. 1777-1850), Lot 88: A marble bust, Italy, early 19th century, Lot 105: Entourage de LORENZO (BARTOLINI 1777-1850), Lot 133: CIRCLE OF LORENZO BARTOLINI (1777-1850)ITALIAN, CIRCA 1808 | Bust of a Lady, Lot 154: ATTRIBUTED TO LORENZO BARTOLINI (1777-1850)ITALIAN, FLORENCE, CIRCA 1820-1850 | Monumental Vase, Lot 223: Good Scarce Antique Gilt Bronze Figurine of 'Nicolo Paganini' 1782 -1840 by Lorenzo Bartolini 1777-1850. /


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. There is a restored break running through the moulded base on which the atlas figures stand. Prospective buyers are encouraged to inspect articles for sale at our pre-sale viewing where Leonard Joel staff are available for advice. Sculptor close to Lorenzo Bartolini (Vernio 1777 - Firenze 1850), Estimate: 24-aug-2013 - Lorenzo Bartolini (7 January 1777 – 20 January 1850) was an Italian sculptor who infused his neoclassicism with a strain of sentimental piety and naturalistic detail which led him furthermore Romanticism, while he drew inspiration from the sculpture of the Florentine Renaissance rather than the overpowering influence of Antonio Canova that circumscribed his Florentine contemporaries.

Circa Early 1800s. Cette émouvante réunion de portraits, tous réalisés par Bartolini, témoigne de la prééminence de cet artiste au sein de la famille impériale et de l'importance que lui portaient les plus grands dignitaires de l'Empire. On plinth with inscription Cane con Beccaccia (Il Cane di Orazio Hall), 88 width x 36 depth x 42 height [dog with woodcock / the dog of Orazio Hall] Many of the artists represented were figures Piancastelli knew personally, and who held teaching positions at the Academy of San Luca in Rome. Absence of reference to such modifications does not imply that a lot is free from modifications. (30.2 x 21.3 cm.) Inscribed: That model had already been used for another masterpiece, the admirable A Nymph of the Arno (1825), whose chalk model is also on display in the Palazzo Pretorio. Western sculpture: Relation to the Baroque and the Rococo. Bartolini was in fact an eclectic and complex artist, enamoured of the Florentine quattrocento, as well as neo-classical purity and naturalistic observation. high, including added circular base, on separate square white marble plinth 14 in. Possibly too Flaxman’s British nationality was seen to be in harmony with that of the sitters. Description: Ceci eut pour conséquence la multiplication des portraits impériaux sculptés afin de les diffuser et d'asseoir la légitimité de cette nouvelle monarchie d'Empire.

Antiope fled in shame to King Epopeus of Sicyon, but was brought back by Lycus through force, giving birth to the twins Amphion and Zethus on the way. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report.



There are a few chips to the edges, and particularly to the corners of the square bases.



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