Entre ellas figura su famoso soneto "A Italia": que ciñe el vasto mar y el Alpe cierra, That the specific placement of words within a line in a poem — based upon the writer’s strict attention to the sonic rhythm of vowels and consonant letters — would elicit from the Italian reader and listener the range of human emotions, from grace and sweetness to gravity and grief. [7] In 1547, Pietro Bembo died at the age of 77 years, and was buried in the church of Santa Maria sopra Minerva. Dentro de la primera de estas actividades reanudó la obra ya iniciada por Sabellico escribiendo en latín los Rerum Venetarum historiae libri XII, historia de Venecia entre 1487 y 1513, impresa en 1551, que luego tradujo al idioma vulgar.

Între anii 1497 și 1498, Pietro Bembo lucrează la "Gli Asolani", un tratat în trei cărți, în formă de dialog, asupra iubirii, care va fi publicat în 1505 cu o dedicație pentru Lucrezia Borgia. Residió en Urbino entre los años 1506 y 1512, y allí conoció al gran pintor Rafael y al cardenal Giovanni de Médicis, el futuro papa León X. Marchó a Roma como secretario de cartas latinas del papa León X para redactar en perfecto latín ciceroniano las bulas pontificias. Les écrits de ce restaurateur de la poésie lyrique italienne ont contribué à la renaissance de lintérêt pour les œuvres de Pétrarque au XVIe siècle1. În epistola "De Imitatione" (1512), Bembo propune ca modele principale pe scriitorii de limbă latină (unii transpuși și în "volgare"), Cicero pentru proză și Virgiliu pentru poezie, împotriva eclectismului lui Giovan Francesco Pico, care apăra idea imitării mai multor modele, preluând teoria denumită docta varietas pe care Agnolo Poliziano o susținuse în polemica cu Paolo Cortesi. During his father’s ambassadorships to Florence Pietro acquired a love for the Tuscan dialect, from which the Italian language developed. 20 maja 1470 w Wenecji, zm. În a treia zi, intervine Caterina Comaro, care susține opinia lui Lavinello, conform căreia doar iubirea spirituală, platonică, care se desăvârșește în contemplarea ființei iubite, poate fi considerată un lucru bun, identificat cu devotamentul și adorația lui Dumnezeu. During his father’s ambassadorships to Florence (1474–1476 and 1478–1480) Pietro acquired a love for the Tuscan dialect, from which the Italian language developed. Fue un lector compulsivo desde que en su infancia accediera a los libros de la rica biblioteca paterna, y un gran conocedor de las obras clásicas grecolatinas, así como también de sus contemporáneos. Pietro Bembo (20. května 1470 - 18. ledna 1547) byl italský renesanční učenec, básník a prozaik, jeden z tvůrců moderní spisovné italštiny As a Renaissance intellectual, Pietro Bembo advocated the Tuscan dialect as the vernacular language for poetry and literature in Italy, which facilitated composers’ creating lyrical styles for the madrigal musical form. En esta obra desarrolla la teoría platónica del amor. Ca scriitor, Pietro Bembo a fost unul dintre cei mai eminenți reprezentanți ai curentului denumit "ciceronian", grup care susținea restaurarea unui stil inspirat din clasicii romani.

Afterwards, Bembo’s secret nomination as cardinal was published, and he then received the red Galero hat in a papal consistory on 10 March 1539, with the title of Cardinal Deacon of the church of San Ciriaco alle Terme Diocleziane, which occasion Bembo marked by commissioning a portrait from Titian (1488–1576), the most important painter of the Venetian school.

Bembo był głównym przedstawicielem purystycznego cyceronianizmu, którego idee wyraził przede wszystkim w dziele De imitatione (1513). In the 1506–1512 period, Bembo resided in Urbino, where he wrote Prose della volgar lingua (Prose of the Vernacular Tongue, 1525), a treatise about composing and writing poetry in vernacular language of the Tuscan dialect.

In the event, Bembo left the city of Ferrara when Ercole employed Josquin des Prez (1450–1521) as composer to the chapel; fortuitously, Bembo left town just as the Black Death plague killed most of the population of Ferrara in 1505, including the renowned composer Jacob Obrecht (1457–1505). Bernardo Bembo was an ambassador for the Republic of Venice, and was accompanied by his son, Pietro. Pietro Bembo, O.S.I.H. Fue también la época de Gli asolani (Los asolanos) (1505), tres diálogos dedicados a Lucrecia Borgia, con la cual mantuvo un tórrido romance cuando la conoció en Ferrara en la corte de su marido, Alfonso d'Este. A Bembo se le debe sobre todo la sistematización y vulgarización del humanismo que representaba la conclusión natural del Renacimiento.

După această primă perioadă de pregătire, pleacă la Messina, unde timp de doi ani studiază limba greacă la faimoasa școală a lui Constantin Lascaris, după care își ia doctoratul în litere la Universitatea din Padova. Januar 1547 in Rom) war ein italienischer humanistischer Gelehrter und Kardinal. Pietro Bembo (1470.-1547. Luego volvió a Roma, donde fue uno de los candidatos al pontificado con más posibilidades y allí falleció. [6], On 20 December 1538, Pope Paul III (r. 1534–1549) made Bembo a cardinal in pectore, in secret, who then returned to Rome. Por lo demás el carácter de Pietro Bembo no se avenía bien con la humildad monástica, no solo por su independencia, sino por los gustos que demostraba a la manera de su modelo, el humanista Petrarca. Er war für seine meisterhafte Beherrschung der lateinischen Sprache bekannt, seine Zeitgenossen betrachteten seinen Stil als vorbildlich.

En 1529 aparecieron las Rime (Rimas), poemas que refundan, continúan y refuerzan la tradición del petrarquismo. Într-una din primele sale lucrări, "De Aetna", tipărită în 1496 de tipograful și editorul Aldo Manuzio, se folosește pentru prima dată caracterul tipografic denumit mai târziu "Bembo", care a devenit un caracter tipografic standard până în zilele noastre. His later travels included two years (1497–1499) at the Este court at Ferrara, during the reign of Ercole I d'Este, Duke of Ferrara (r. 1471–1505).

[3] Bernardo Bembo was an ambassador for the Republic of Venice (697–1797), and was accompanied by his son, Pietro. Biografía. En 1539 Paulo III confería al humanista la púrpura cardenalicia (Morosina había muerto el 13 de agosto de 1535 y Bembo contaba entonces casi sesenta años). Sogno, 1492-1494.

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