However, we know he was a prude and I perceive him, to a certain degree, as a prick and smug and that is where we start.

Onlookers are puzzled and  wonder  out loud why he would spoil a masterpiece. The tender regard between Turner and Mrs Booth in the film is what has been missing from his other relationships with women.

Recognition for his performance  is already becoming evident. He later became the first independent British artist to travel and paint extensively in the Near East. In the film, Turner takes to the water to witness its destruction. ( Log Out /  Not being any kind of an expert on anything, I have to agree with you about Mike Leigh missing the boat with this film. For the most part, all that Turner does in the film is grunt.

Sir Charles Locke Eastlake PRA (1793 – 1865) Ruskin is played as a lisping narcissist and is irritating to such an extent that Turner makes one of his few multi-sentence utterances of the film. He looks sheepish and laughs: “Look, were one to say Ruskin’s entire view were beside the point, it would be outrageous – ludicrous.

Der Film beginnt, als Turner bereits ein bekannter und einigermaßen wohlhabender Landschaftsmaler ist. Dick Pope was honoured at Cannes with a technical award for his cinematography for bringing the paintings to life: the film is filled with Turneresque colour: rose, amber, palest blue… “It’s interesting,” Leigh says, “that this is the first full-length film we have made with a digital camera.

And I suddenly notice that he is unable to disguise his pleasure: “Well, of course, the truth is I’m very biased because she is my partner, in fact. The Battle of Hyderabad, 24th March 1843, Looking for one of our artists or something from our Collection?

I found art school immensely stimulating in contrast to Rada, which at that time – and I stress this is absolutely no longer the case – was dead.

Poor Salieri, and he could not understand why God had punished him by making him a contemporary of Mozart. What a wonderful opportunity to show the workings of the mind of a genius. Change ), You are commenting using your Facebook account. And yes, Turner spat at his own canvases to enhance them: “He blew mysterious brown powder at them too.” Snuff?

Constable was busy in the gallery putting the finishing touches to The Opening of Waterloo Bridge, a picture that had taken him years to paint.

There are a number of scenes that are shot in a Royal Academy exhibition and there is a particularly brilliant sequence where John Constable is putting finishing touches on his painting The  Opening of Waterloo Bridge scene from Whitehall Stairs. In the film, he travels the land and seashore, his painter’s kit slung over one shoulder. He and Turner were friends, but rivals in this genre. “Very.

Next to his own work,  Turner must have thought that of the Pre-Raphaelites to be mannered and effete.

They didn’t all get into the film because some of them can’t act, but the ones that could act and paint were there.” Timothy Spall has “always had an amateur notion of doodling” and studied with Timothy Wright, a “very good teacher” whose portrait of Spall was in BP’s portrait exhibition this year.

Constable was elected an Associate of the RA in 1819, but despite his achievements as a landscape painter he was not elected a full Royal Academician until 1829. Some time later, Turner returns and, in a single gesture, reshapes the red dab of as the buoy, transforming the whole painting. I do not think I’ve ever met anyone more watchful, interested or quicker to turn an answer into a question. He’s a character, that’s for sure. He was very cosseted, and that is what we captured. There are times when what he has to say is profound, but I thought: this is too good a trick to miss.”. And of artistic, creative outsiders, so I think that probably I would be capable of getting on with him, but no question is more academic than that one.” He is grumbling benignly, like Turner in the film. There is a marvellous moment in the film when Turner looks directly at Mrs Booth and tells her: “You are a woman of profound beauty”, and you can see this makes her twice-married, 60-plus heart flutter, although she knows enough about the world to stay steady. For those who know little about Turner’s life, it’s a jolt to accept that the creator of paintings of genius was a faulty bloke with an intermittently uncivil tongue, a tendency to grunt and a contradictory attitude towards women. Back on dry land, he met David Roberts and the two worked together as scene painters as well as producing several dioramas and panoramas. Joseph Mallord William Turner (23 April 1775 – 19 December 1851) Joseph Mallord William Turner (23 April 1775 – 19 December 1851) was an English Romantic landscape painter, watercolourist and printmaker, whose style can be said to have laid the foundation for Impressionism. But the main reason for the sense of familiarity is that one picks up so many clues about him from his films and plays: his liberal intelligence, satirical edge, good heart. If you take this tool and embrace it rather than whinge, it’s amazing what you can do.

But the scope, scale and remarkableness of his work has taken its time.” Later, he spells Turner’s importance out: ‘This guy was a revolutionary, anticipating the impressionists and 20th-century art – anticipating Rothko probably – and yet he was timeless.”, Leigh mentions Camberwell – had he wanted to be a painter himself?

Eastlake was also a talented landscape painter and became good friends with Turner.

Born in Sunderland, Stanfield had first-hand experience of life at sea having served in the Royal Navy for several years before becoming an artist.

You can see a clip of this scene, as recreated in the film, in the video featurette above. Some of them had to dig deep into the RA’s Collection, library and archive to uncover useful information and interesting scenarios from the lives of these artists.

Mike Leigh photographed at the current Late Turner exhibition at Tate Britain in London.

Ruskin was raised by over-protective parents. “And if you look at the statue in the Royal Academy in Piccadilly, it doesn’t look like anything you know.” In the Tate’s exhibition, an 1846 oil by William Parrott, Turner on Varnishing Day, shows a top-heavy man bristling with brushes, with grey sideburns and short legs.

Other Academicians that feature in the film include Sir William Beechey, Sir Augustus Wall Callcott, Charles Robert Leslie, Henry Pickersgill, Sir Martin Archer Shee and Thomas Stothard. Leigh seems to be promoting the idea that criticism is generally irrelevant? “It is a question with no answer except that in the course of one’s many years on this planet, I am sure I have known various kinds of bohemian people. Mr Turner is, after all, not Leigh’s first departure from fiction. JMW Turner: Self-portrait and as portrayed by Timothy Spall. Does he remember his first encounter with Turner’s painting?



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