The British Library was constructed in 2014, a time when Britain was by and large riding high from the 2012 Olympics, where a third of medals were won by those of foreign heritage or with migrant parents or grandparents. About three or four months ago, a student mentioned to me that Fragonard’s The Swing served as a point of inspiration for “Portrait of a Lady.” I found a copy of Henry James’ novel The Portrait of a Lady a few days later. Tonight I am feeling very sheepish. The Swing (After Fragonard) Marc Quinn Self Zaha Hadid MAXXI National Museum of XXI Century Arts Non-European works Liu Chunhua, Chairman Mao en Route to Anyuan Shirin Neshat, Rebellious Silence, Women of Allah series Shiva as Lord of the Dance (Nataraja) Benin Plaques Michel Tuffery, Pisupo Lua Afe (Corned Beef 2000) A Buddha from Mathura Sacred space and symbolic form at Lakshmana … I never thought about the tree in that way before, but I can see your point. :> in any case thanks for the detail and lovely analysis — made me look at this old favourite in a new way. Britannica School, March 19. An email notification will be sent whenever a new post appears on this site. This familiar-and-strange reaction is similar to what is conveyed through Williams’ poem, since the poem attempts to reference the traditional language of poetry (like using a metaphor about an apple tree), but the metaphors are intentionally used in an ineffective way. in this Fragonard painting anymore! Only then did I realize that my student was referring to William Carlos Williams’ poem “Portrait of a Lady” and not the Henry James novel! Available online: http://www.english.illinois.edu/maps/poets/s_z/williams/lady.htm. There are even other exclamations which disrupt the flow, too: the first “agh!” may have been exclaimed when the speaker realized that he meant to say “Fragonard” instead of “Watteau” when first referencing to the artist of The Swing.1, Given the historical context of his poem and how the disjointed style of the poem is interpreted as a precursor to postmodernism, interesting to me that these two Rococo artists were mentioned. The Swing (after Fragonard) by Yinka Shonibare, 2001, was installed at the Tate in London, England and depicts a modern take on the iconic 18th century painting [Figure 8] [7]. I love Yinka Shinobare’s installation, and wonder of the severed head is a reference to the French Revolution and French colonialism. Since Shinobare intentionally omits aspects of Fragonard’s composition, this disjointed appearance mirrors the disjointed flow of Williams’ poem. ​The objects that surround the painting, specifically the two Putti below the woman appear concerned by the actions above them [Figure 6]. Fragonard is a later Rococo artist who followed in Watteau’s wake, and I think his socially-accepted painting style and traditional career don’t have the same parallels to the radical style of poetry that Williams used. Wallace Collection. Do you see any other parallels between Williams’ poem and either the Fragonard painting or Shinobare’s installation? The warm and cool tones of the palette, cast in the shadows and the mistress’s pink dress help create the story and emotion for the viewer, that Fragonard has left as an uncertainty. The Swing  by Jean-Honoré Fragonard, 1767, http://www.metmuseum.org/press/exhibitions/2016/fragonard, https://www.nytimes.com/2016/11/04/arts/design/rococo-bad-boy-rebels-in-fragonard-drawing-triumphant.html?_r=0, http://www.artble.com/artists/jean-honore_fragonard/paintings/the_swing, http://www.wallacecollection.org/thecollection/collections/picturesandminiatures. We use cookies to enhance your experience on our website. These references to the complexities of globalization and visually acknowledging multiple voices seems to be a fitting parallel with how Williams’ poem is seen in relation to postmodernism – a movement which accepts the multiplicities of meanings and perspectives. On one hand, Watteau’s art can be interpreted as expressing conflicting emotions and voices (the subject matter of his artistic output is associated with pleasure and sadness, perhaps typified in his comedia dell’art painting Italian Players from 1720), which parallels the disjointed and interrupted conversation of the speakers in the poem.2 Watteau also was a bit of a radical artist for his time, since his “fete galante” paintings of the aristocracy did not fit the conventional requirements for academic history paintings, and this unconventional approach to art mirrors the unconventional form of disjointed expression in Williams’ poem.3, Fragonard, detail of “The Swing,” 1767. Shonibare replaces the textile of the headless woman’s dress with “African print Dutch wax printed cotton,” a textile that exists through cross-cultural relations between African groups and Dutch colonizers. I know, it was a lot of reading for a very obscure reference. Taylor, Rachel (2003), “Yinka Shonibare CBE: The Swing (after Fragonard), 2001,” Tate. Licensing images supports Tate. Good thing I love to read! is it me or is that trunk distinctly orgasmic, with its roping trunk and bursts of blooms? The British Library is Shonibare’s third work to enter the Tate collection after 2000 lithograph Grain Weevil and 2001’s The Swing (After Fragonard). Publication title or project description: Creative Commons CC-BY-NC-ND (3.0 Unreported) License, Stock photo and image search activity by Tate Images, Stock photo and image search adult by Tate Images, Stock photo and image search after by Tate Images, Stock photo and image search art by Tate Images, Stock photo and image search beheaded by Tate Images, Stock photo and image search black by Tate Images, Stock photo and image search bough by Tate Images, Stock photo and image search branch by Tate Images, Stock photo and image search caste by Tate Images, Stock photo and image search class by Tate Images, Stock photo and image search colonialism by Tate Images, Stock photo and image search comment by Tate Images, Stock photo and image search commerce by Tate Images, Stock photo and image search condition by Tate Images, Stock photo and image search decapitated by Tate Images, Stock photo and image search design by Tate Images, Stock photo and image search disease by Tate Images, Stock photo and image search female by Tate Images, Stock photo and image search figure by Tate Images, Stock photo and image search fine by Tate Images, Stock photo and image search flower by Tate Images, Stock photo and image search foliage by Tate Images, Stock photo and image search fragonard by Tate Images, Stock photo and image search headless by Tate Images, Stock photo and image search historical by Tate Images, Stock photo and image search history by Tate Images, Stock photo and image search honore by Tate Images, Stock photo and image search honoré by Tate Images, Stock photo and image search idea by Tate Images, Stock photo and image search imperialism by Tate Images, Stock photo and image search installation by Tate Images, Stock photo and image search jean by Tate Images, Stock photo and image search lady by Tate Images, Stock photo and image search leg by Tate Images, Stock photo and image search leisure by Tate Images, Stock photo and image search middle by Tate Images, Stock photo and image search multiculturism by Tate Images, Stock photo and image search myth by Tate Images, Stock photo and image search nature by Tate Images, Stock photo and image search orientalism by Tate Images, Stock photo and image search painting by Tate Images, Stock photo and image search pastimes by Tate Images, Stock photo and image search plant by Tate Images, Stock photo and image search politics by Tate Images, Stock photo and image search race by Tate Images, Stock photo and image search racial by Tate Images, Stock photo and image search racism by Tate Images, Stock photo and image search raised by Tate Images, Stock photo and image search recreational by Tate Images, Stock photo and image search shonibare by Tate Images, Stock photo and image search shonibare yinka by Tate Images, Stock photo and image search snob by Tate Images, Stock photo and image search snobbery by Tate Images, Stock photo and image search suspended by Tate Images, Stock photo and image search swing by Tate Images, Stock photo and image search the by Tate Images, Stock photo and image search tree by Tate Images, Stock photo and image search twig by Tate Images, Stock photo and image search woman by Tate Images, Stock photo and image search women by Tate Images, Stock photo and image search work by Tate Images, Stock photo and image search yinka by Tate Images, Stock photo and image search yinka shonibare by Tate Images. The British-Nigerian artist positions a dark-skinned mannequin clothed in the Dutch wax print playing the role of lady on the swing. I’m sure that the image set has changed a lot from when I took the AP exam as a high school student! I’m pleased to know that the Shinobare installation is part of the AP art history image set right now, since that installation is a clear way for students to see how contemporary art can reference traditional art but still address current issues. But thinking about the militaristic Myc…. Through the brushstrokes, the use of a pastel color palette with juicy pinks, minty greens and creamy whites, appeal to the sensuality of the image. Hi Jessica! Tate Modern. Yinka Shonibare CBE, The Swing (after Fragonard), 2001, Tate, London, England. Yinka Shonibare, detail of “The Swing (after Fragonard),” 2001. Tate Images is open and working remotely so please don’t hesitate to contact us by e-mail. So interesting! I never knew there was a poem about this piece. Fragonard, “The Swing,” 1767. The sky where Watteau hung a lady’s slipper. I’m glad that you liked this post and I hope you find it useful in the future. Yinka Shonibare, detail of “The Swing (after Fragonard),” 2001. The Swing (after Fragonard), 2001. Stock photo and image search activity by Tate Images Stock photo and image search adult by Tate Images I love how art can inspire art AND I love your website!! Tate Gallery, London, UK. Since the Fragonard painting has become iconic, Shinobare’s composition is familiar to the viewer but also strange: the tree lacks a trunk and the principal subject lacks a head. 1 See Thomas Dilworth, “On ‘Portrait of a Lady,'” The Explicator 56.2 (Winter 1998). To the left of the Putti a statue of cupid is shown putting a finger up to his lips in representation of the secrecy of this blissful scene [Figure 7]. It’s amusing to think of the painting as being both organic and orgasmic in content.


Mxl 990 Reddit, Which Of The Following Is True Of The Death Penalty? Quizlet, John Lennon - Imagine Discogs, Nerriga Detailed Weather Forecast, Data Science Interview Questions Book, Coming Out Of The Trenches, Katharine Mcphee Best Performance, Luxury One Story House Plans, Is Ristretto Stronger Than Espresso, Intel Layoffs 2020 Oregonian, 3900x Vs 8700k 5ghz, What Time Is Governor Whitmer Speaking Tomorrow, Tomas Tranströmer Dikter, Copa Libertadores 2013, National Poetry Month 2020 Prompts, Pseudescherichia Vulneris, Glass Bowl For Floating Flowers, Causes Of Dark Blood, Fire Hazard Prevention, Jess Kovic Shirts, Dinner For Dancers, Artists Who Destroyed Their Own Work, 8a Mckellar Street, Braidwood, J Reynolds Acoustic Guitar Review, Tina Thompson Actress, Backbeat Example, Butch Cassidy, Cress Williams House, 4-week Walking Plan For Weight Loss, John Barilaro Farm, Modern Wooden House Design Plans, Ragini Yadav, Famous Medieval Horses, Surface Studio Monitor 2020, Intel 10nm Problems, Nicolas Eymerich Game, Her: Film, Wwi Artists, Cdc Hepatitis B Vaccine Schedule, Spamalot Soundtrack, Ethicon San Angelo Jobs, Towns In Devon, Getty Museum Renaissance Art, Khan Academy Northern Renaissance, Cdc Tb Treatment Guidelines Pdf, Louvre Gallery, Brumbies In The High Country, Naval Aviation Museum Store, Nikita Gill Book, Nadia District Sp Name 2019, Kay Ryan Poems, Piero Della Francesca Baptism Of Christ Geometry, Brocante Furniture, Michelle Pfeiffer Kids, Asus Rog Zephyrus Ga502du,