The story of the Calydonian boar hunt was told and retold during antiquity--most famously in Ovid's Metamorphoses. Peter Paul Rubens (Flemish, 1577 - 1640) 59.2 × 89.7 cm (23 5/16 × 35 5/16 in.) It marks the end of an intensive creative phase for Rubens centered on the theme of hunting. The Massacre of the Innocents — which depicts the biblical tale of Roman soldiers executing male newborns in Bethlehem on the orders of King Herod — was painted in the early 17th century after Rubens returned from an eight-year sojourn in Italy spent observing the works of artists like Italian Baroque master Caravaggio.

(London: Smith and Son, 1829-42), vol.

Claudia Swan, ed. L'Oeuvre de P. P. Rubens: Histoire et description de ses tableaux et dessins. 11, 59, ill. Suda, Sasha, and Kirk Nickel, eds. Rubens used the dramatics of diagonals to heighten the sense of immediacy and movement and redirected attention downward into the center of action.

Sutton, Peter C. et al., eds.The Age of Rubens, exh. Peter Paul Rubens, 1577-1640: Austellung zur 400. The hunting party comprises three men in orientalizing costume—mounted on Arabian horses, who hunt with lance and sword—and two valets clad in roughly-hewn jerkins—one of whom has been killed by one of the beasts.

The Lion Hunt is a 1621 painting by Peter Paul Rubens, now held in the Alte Pinakothek in Munich. (Vienna: Kunsthistorisches Museum, 1977), p. 94, under no. The Hippopotamus and Crocodile Hunt — commissioned by Maximilian I, Elector of Bavaria to adorn his summer residence, the Schleissheim Palace — is just one of these hunting pieces and today resides at Munich’s Alte Pinokothek.

Wrapped in a flowing red cape, the warrior Meleager thrusts his spear into the shoulder of a massive boar. 31. Brueghel and Rubens, Diana and Her Nymphs Asleep, Musee Chasse et Nature.JPG 3,648 × 2,736; 3.85 MB. The lion biting the hunter in the foreground is the focus and the knight coming from the back of the image creates depth as well as a three-dimensional space.

"6 Extremely Wrong (But Hilarious) Scientific Beliefs", Self-Portrait in a Circle of Friends from Mantua, Portrait of Marchesa Brigida Spinola-Doria, Portrait of Giovanni Carlo Doria on Horseback, Saint Teresa of Ávila's Vision of the Holy Spirit, Ixion, King of the Lapiths, Deceived by Juno, Who He Wished to Seduce, The Virgin and Child Surrounded by the Holy Innocents, Erichthonius Discovered by the Daughters of Cecrops, The Meeting Between Abraham and Melchizedek, Saints Dominic and Francis Saving the World from Christ's Anger, The Virgin Mary and Saint Francis Saving the World from Christ's Anger, Diana and Her Nymphs Leaving for the Hunt, Christ Appointing Saint Roch as Patron Saint of Plague Victims, Portrait of Infante Isabella Clara Eugenia, The Triumphal Entry of Henry IV into Paris, https://en.wikipedia.org/w/index.php?title=The_Hippopotamus_and_Crocodile_Hunt&oldid=972231869, Wikipedia articles with RKDID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 10 August 2020, at 23:29. Rumor has it that the commission, thanks to Marie’s stubborn character, was fraught with tension, and interestingly Belgian arts writer Roger Avermaete once suggested the inclusion of curvaceous mythical nereids may have been a knowing attempt to draw attention away from the queen — perhaps Rubens’ reaction to the difficult commission. cat. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more, http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=267599. Today, The Disembarkation at Marseilles hangs alongside the fellow 23 paintings in the cycle in the Louvre in Paris.

Subscribe today for your bi-weekly dose of inspiration. Rubens's appropriation of iconic images from antiquity was intended to resonate with learned viewers. For the figures on horseback, Rubens borrowed from his Renaissance predecessors, Leonardo da Vinci and Raphael.

--Ovid, Metamorphoses 197. Part XVIII, Landscapes and Hunting Scenes.

Three of the men are portrayed as noblemen tasked with killing the nuisances.

929. Academiae Analecta (Brussels: Paleis der Academiën, 1986), pp. Burlington Magazine 149, no. He drew from ancient sarcophagi and statues he had seen there for the poses of many of the figures. 112, 118. Not on view due to temporary Getty closure, On reverse, in ligature, burned into the panel: "RB", In black paint: "No. The hunt takes place on the banks of the Nile, as indicated by a palm tree in the background. 2 (1830), p. 276, no. Composition: In this work there is a slanted, horizontal plane. -Ovid, Metamorphoses Wrapped in a flowing red cape, the warrior Meleager thrusts his spear into the shoulder of a massive boar . "Forging Rubens: Antwerp and the Vaenius Studio." This image is available for download, without charge, under the Getty's Open Content Program. "'La vera simmetria." A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters [...]. The ferocious creature--seemingly undaunted by a pair of hounds latched onto its bristled hide--has turned to confront head-on its human adversary. But Rubens's dynamic and inventive interpretation of the hunt was wholly his own. Commissioned by Italian duke Ferdinando II de’ Medici, The Horrors of War was painted between 1637 and 1638 and today hangs in the Palazzo Pitti’s Palatine Gallery in Florence. Ahead of a Royal Academy exhibition, Michael Prodger traces Rubens… 87-88. As hippopotami and crocodiles were considered dangerous nuisances, their destruction was a duty performed by noblemen.

Peter Paul Rubens created the canvas oil painting entitled The Hippopotamus and Crocodile Hunt between 1615–16. Beneath its imposing hooves lie the disemboweled carcass of a hound and the prostrate corpse of the hunter Ancaeus. Alongside his many religious and royal commissions, Rubens was also hired by a number of European aristocrats to create dramatic, large-scale hunting scenes noted today for their energy and close attention to detail, especially in their animal subjects. cat. 39n96, 90, 391, under no. Woollett, Anne. Frans Snyders: Stilleben und Tiermaler, 1579-1657 (Munich: Deutscher Kunstverlag, 1989), pp. Tableaux XIXe et Modernes, Sculptures, Art Nouveau, Art Déco, Tableaux Anciens [...] Tappisseries. Rubens and his studio produced the four large canvases in Antwerp over the years 1615–16.



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