‘The Blue Boy’ (c. 1770) is undoubtedly one of his best known works. The couple are shown arm-in-arm on a morning walk with a Pomeranian sheepdog. This combination of two common types of painting—portrait and landscape—was considered unusual in his era. In one such portrait of his daughters, Mary, born in 1750 (his first child with the same name died in infancy about two years earlier) and Margaret, who was born in 1752 are shown at play. When the artist sensed an aberration in his neck in 1785, it was diagnosed as cancer.

At this time even his older brother, known as "scheming Jack", was unstable as well as working on unsuccessful inventions and relying on his siblings to support his plans. She was the illegitimate daughter of the Duke of Beaufort. Connect with us on Facebook. In 1749, upon moving to Suffolk with his wife, Gainsborough painted many canvases depicting friends and family including his wife and children in addition to portrait commissions. Following a successful beginning when he was just seventeen in 1744, he was able to establish a studio in London. Painting landscapes was his true passion and during the initial years of his career he focused on this genre. This idea and its associated technical breakthrough is a precursor to the aesthetic innovations of early modern artists such as, the Impressionists. His rivalry with Reynolds also brought him in conflict with the Royal Academy, as the latter was also the Academy's President. "Thomas Gainsborough Artist Overview and Analysis". Initially he trained under engraver Hubert Gravelot who was an important figure in London art circles at the time. Gainsborough's House, Sudbury, Suffolk. According to the artist, he painted "portraits for money, and landscapes because he loved them". With relation to portraits of women, Gainsborough took extra care to imbue characteristics of humanity and tenderness as well as a sense of covert sensuousness, which perhaps was due to his affinity with and appreciation for the works of Peter Paul Rubens. Everyone knows that the grand style must consist in plainness and simplicity, and that silks and stains, pearls and trifling ornaments would be as hurt full to simplicity as flourishes in a Psalm Tune; but fresco would no more do for portraits than an Organ would please ladies in the hands of Fischer; there must be variety of lively touches and surprising effects to make the heart dance, or else they had better be in church - so in portrait painting there must be a luster and finishing to bring it up to individual life. Thomas Gainsborough was born in 1727, the son of John Gainsborough, a cloth merchant living in Sudbury, Suffolk. Major works by Gainsborough in Britain can be seen at Waddesdon Manor (Buckinghamshire), The Tate Britain Gallery and National Gallery (London), and the National Gallery of Scotland (Edinburgh). Gainsborough was not known to have engaged many assistants, and his only known assistant was his nephew, Gainsborough Dupont. Gainsborough's success as an artist was largely due to his innovative technique along with an individualistic approach to subject matter that differentiated him from his peers and staunch rivals. Britain Express is a labour of love by David Ross, an avid historian, photographer, and 'Britain-ophile'. What followed was a very brief phase of self-reproach: in one reflective instance he wrote: "I shall never be a quarter good enough for her if I mend a hundred degrees.".

By 1774 when Gainsborough moved to London, he had approached the last years of his career. For, he felt that it was important for the spectators to gauge the effort that went into the making of an artwork; he referred to this as "the touch of the pencil". Even today it remains one of his most popular works.

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