Learn how your comment data is processed. View more posts, Hello I had a question I just purchase the zoom H5 I’m a beginner I also have a gopro hero3 could I link the H5 to the gopro.

However, for the video that we are shooting, it was important to capture even audio both when John was facing the camera and when he was facing the computer to his left (video right). Help PK Make A Difference.

Of course, like other shotgun mics, Sennheiser MKE 600 features a pronounced directivity with a supercardioid polar pattern for maximal rejection of side noise. A quality shotgun mic will last years. Since it weighs only 3.7 ounces, it’s definitely light enough to serve as a boom mic. And lastly, the output level of the Sennheiser was very good, while the other two pretty much require external power to get to good sound levels.

Vorerst gar kein Zubehör: Mikro mit Kunststoffwindschutz und Stativhalter auf die Angel und bei Bedarf zukaufen. [ I have used mikes poorly some sixty years ago. Going to use the H5 and SGH-6 to speed up my workflow in sound design for games. RODE provides the solution: the NTG2 runs off an AA or off 48V phantom power. The guy you work with gave you good advice.

Additionally, lavalier mikes can be painful to deal when there is a lot of interference, particularly in a busy urban environment. Want to operate a microphone off of a battery? The SGH-6 offers some cool solutions when used with the Zoom H5, and it comes with a “hairy” windscreen (which is a pretty important accessory, and something you are going to need to buy separately if you get the Rode NTG-2).

Basically, there wasn’t any surprises.

Unlike the NTG2, this microphone only runs off phantom power through an XLR connector so it doesn’t connect to all cameras. It makes all sense and helped me to have a wider opinion on this topic… I was mainly curious to have an opinion from a person with your experience. To keep things interesting, I also included the Audio-Technica AT4053b hypercardioid microphone and the XYH-5 stereo microphone … Like the other two mics, it has a super-cardioid pickup pattern so it records what’s in front and not what’s on the sides or rear. David Clark H10-30 vs H10-13.4 vs H10-13.4 Review, Fender FA-100 vs Epiphone DR-100 vs Jasmine S35 Review, Alesis DM6 vs DM7X vs DM8 vs DM10 vs DM10 X Review, 1-year limited warranty extends to 10 years with registration, Rugged metal housing: machined aluminum with epoxy finish, About 11 inches long and almost an inch in diameter, High-pass filter is two-step: flat or 80Hz, Comes with stand mount (for 3/8” or 5/8” thread), foam wind screen for light breezes, and zip pouch for storage, Weighs 5.17 ounces and is about 11 inches long with 0.87-inch diameter, Comes with stand mount for 3/8” and 5/8” threads, foam wind screen for light breezes, and zip pouch for storage, Output impedance with battery is 350 ohms; 250 ohms with phantom power (be sure to connect to an input with the same or higher impedance to avoid signal loss), Directional pickup pattern is super-cardioid, Comes with aluminum transport tube, foam wind (pop) filter, mic clip, and zip pouch, Frequency range is 40Hz to 20kHz, slightly less than the other two mics.
To me the NTG3 sounds fuller and noticeably better. When you get to the AT4053b, a $600 mic, the noise floor again is nearly nonexistent. I am planing to take amatorial nature video and nature sound recordinds in conjuction to photos. However, if you get the Rode NTG-2, you will have a microphone that you can use with lots of different equipment — you won’t be tied to only using it with the Zoom H5 and Zoom H6.

This includes personalizing content and advertising. It sounded alright to me, and I'm wondering if the NTG-3 delivers anything special in comparison. The mic comes with a weatherproof aluminum storage cylinder, too.
The third and final video in my exhaustive, three-part analysis of the Zoom H5 portable recorder is a shootout of shotgun microphones. pointing down and this way it’ll better balance the variation when the talent moves head or fiddles with camera. It’s made for high-resolution audio recording, and does well picking up even individual instruments playing in an orchestra.

We played with the shotgun setup before mounting it a bit to the right of John’s face and you are right – pointing it straight at the face did produce much better sound.

Even with our audio sensitivity level set to the maximum output (100) on the.

Not so sure therefore how it will work in an outdoor situation….? Phantom power might be an option for studios, but it does not work for us, since we travel a lot and do not want to be dealing with power requirements in the field. As for the lapel sound, we have been using it in three different arrangements: mike facing upwards, mike being inside the shirt of the subject and mike facing down. The maximum SPL is 130dB, so it’s better for films and interviews rather than rock concerts. They are both great microphones that can be used interchangeably in many scenarios, however, the NTG5 excels as a location recording mic, whereas the NTG3’s pronounced low end is ideal for recording indoors (also great outdoors), and for voiceovers and other applications where rich bottom end is desired. Many users have commented that this has the richest and truest sound of any mic they own. The big question was – which of the four microphones would win us over? It needs 48 volts provided by the camera, a mixer, or another external source. Rode NTG1 vs NTG2 vs NTG3 Review. The third problem is the biggest one: how are you supposed to use a shockmount with the ECM-3 and one of the shotgun modules, like the Zoom SGH-6? The main difference between the NTG1 and the NTG2 is the power source they need and their output impedances.The NTG1 has a low output impedance of only 50 ohms so it can tolerate longer cables. I think the Zoom ECM-3 extension cable is likely useful for certain situations, but not for use on a boompole — at least, compared to using a mic like the NTG2. No items to compare. NTG-3 vs. MKH 416. Aside from this, there was no post-production processing. It can also withstand a sound pressure level (SPL) of 139dB. Out of the three battery-powered units, the Sennheiser MKE 600 was the only unit that offered an On/Off switch. You can position your NTG-2 really far away from your camera and wirelessly transmit its signal. I honestly don’t know if there is a shockmount available for this. Take a look at our video below: As you can see, we ended up choosing the Sennheiser MKE 600 for our needs, based on the following: While the most expensive Rode NTG3 did produce very clear and pleasant sound, the fact that it requires external power was a deal breaker for us, since replenishing a single AA battery is much easier than lugging external battery packs with us in the field. While the latter sounded pretty good, the only way to make it work so that it looks good is to hide it behind the shirt, since the reversed cable looks really weird in video. I recommend getting the best one you can. To do better than that, you really need to go up to the Rode NTG3. For booms, the best low-budget option for the Zoom H5 is the Audio-Technica AT875R. Rode NTG-2 vs. NTG-3, Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Pocket (Opens in new window), Click to email this to a friend (Opens in new window), Audio Test: Zoom H5 vs. Zoom H4n vs. Tascam DR-40, First Thoughts on the Tascam DR-70D Field Recorder, Audio-Technica AT4053 Hypercardioid Microphone, Zoom H5 Review + Why It’s Useful in Video Production.

Rode's site says "broadcast sound quality" for the NTG4, and "superior broadcast qualify sound" for the NTG3. Comparing Rode NTG2 vs Rode NTG3 vs Rode NTG4+ vs Rode NTG4 . What do you think? It sounds great, and it gets along nicely with video production software. If you’re working in adverse weather conditions, especially humid environments, consider getting the water-resistant (but not waterproof) NTG3.


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