Dreams not only allow one to escape reality if needed, but they could also serve as tools for reshaping a life stolen or misplaced. This book is a lot to take in. Vietnam has enamored the darkest in each of us after that era and no other writer, photographer, historian or professor has managed to construct the most ominous of testimony, as Yusef Komunyakaa. This is one of my favorite poetry books. April 28th 1993 It's kind of fun to read it on the train, because I start. The tense, often colloquial language of Komunyakaa's tautly lineated poems in this volume and in his newest, MAGIC CITY, enacts on the page the muscle and movement of the human body as it walks, talks, makes love. I was fortunate enough to have an opportunity to hear him read not long after I started the book, which certainly colored how I read it.
A bit of one of the many great ones (my favorites are on music, war, and physicality): Probably my favorite book of poetry. Still, he weaves them in a seemingly effortless manner, which only means that he most likely spends hours and hours finding the right memory and the right word to produce it. committing to this for the 2011 Fearless Poetry Challenge, As a younger student, and uncontrollably ablaze with an itch for poetry, I stumbled upon a journalist, whose language seemed more like a history of a war, than prose. Its the texture of the book itself.
Yusef Komunyakaa poems, quotations and biography on Yusef Komunyakaa poet page. Thirty-four years after the publication of her dystopian classic, The Handmaid's Tale, Atwood returns to continue the story of Offred.
"I am this space/my body believes in," ends "The Unnatural State of the Unicorn," the first poem in Yusef Komunyakaa 's 1986 volume, I APOLOGIZE FOR THE EYES IN MY HEAD (Wesleyan). Extraordinary. His collections of radical observation, including Neon Vernacular, take what has happened to him as a journalist and explored these ugly. Yusef Komunyakaa (born April 29, 1947) is an American poet who teaches at New York University and is a member of the Fellowship of Southern Writers.
It was my first introduction to poetry. He shows off his unique sense of the world through those. By far my favorite collection of poems. Komunyakaa is a recipient of the 1994 Kingsley Tufts Poetry Award, for Neon Vernacular and the 1994 Pulitzer Prize for Poetry. Dreams not only allow one to escape reality if needed, but they could.
Komunyakaa manages the difficult task of precision, eloquence and passion. Dien Cau Dau is probably my favorite book of poetry ever, but all the stuff in this collection afterwards is excellent as well. Komunyakaa received the 2007 Louisiana Writer Award for his enduring contribut. What Happened to Offred? He also recognizes that trauma inflicts trauma. The things I appreciate most about Komunyakaa's work are his ability to seamlessly utilize a variety of registers, vernaculars, and dictions; his eye for people and personalities; and his ability to evoke a depth of emotion with great economy. One type is talky, conversational, and story-like. Margaret Atwood’s Big Sequel Answers Readers’ Questions. That the body itself, apart from mind or soul, can possess beliefs--or memories or hopes or regrets or revelations--comes as no surprise to anyone familiar with Komunyakaa's work, or to anyone discovering this poet for the first time through NEON VERNACULAR, which includes rich samplings from books now out of print. The son of a carpenter, Komunyakaa has said that he was first alerted to the power of language through his grandparents, who were church people: “the sound of the Old One can return to this book over and over and continue to be surprised by the poems. Yusef Komunyakaa has two types of poetry.
Vietnam has enamored the darkest in each of us after that era and no other writer, photographer, historian or professor has managed to construct the most ominous of testimony, as Yusef Komunyakaa.
His poems about military life also offer a view into a world many do not know; however, I'm not a fan of that kind of poetry. He also recognizes that trauma inflicts trauma.
He only gets sort of flabby and incomprehensible after Neon (the stuff in "Pleasure Dome" isn't an improvement, it's just kind of a distraction). Excellent...never goes out of fashion.
Read all poems of Yusef Komunyakaa and infos about Yusef Komunyakaa. I seem to like his Vietnam poems the most. Komunyakaa does what is hardest to do as a poet, capturing live music and war on the page. I like the latter more. To see what your friends thought of this book, Poetry "reconnects us to the act of dreaming ourselves into existence," Komunyakaa once wrote. Komunyakaa went on to serve in the Vietnam War as a correspondent; he was managin…
Honestly, I could do with a re-read of the earlier material--it's less easily accessible and requires some time to sink in to the brain.
There's so in DIEN CAI DAU for example, how entangled everything is, the poet being witness but also complicit in warfare, the trauma of victims and witnesses, and poetry is perhaps most fitting medium to tackle such experience. We’d love your help. One type is talky, conversational, and story-like. After reading Neon Vernacular, I want to check out "I Apologize for the Eyes in my Head" and Dien Cai Dau." Be the first to ask a question about Neon Vernacular. However, this is clearly a masterpiece. Mixed words that come out as absolute atmosphere and feeling. The son of a carpenter, Komunyakaa has said that he was first alerted to the power of language through his grandparents, who were church people: the sound of the Old Testament informed the cadences of their speech, Komunyakaa has stated. Unfuckwithable.
I need to do a second read through. I'm not that into jazz poetry.
It wouldn't be fair to rate this.
Raw and sensual. Komunyakaa surprises me--wows me!--again and again with the inventiveness of his language and the rawness of the emotional material he confronts. I like the latter more. Describing Neon Vernacular as a singular volume is difficult for me not only because it's a mishmash of several of his books of poetry but also because I read it in small portions over a long period of time.
One type is talky, conversational, and story-like. Refresh and try again.
It pops like Jazz, unexpectedly, or maybe less like jazz and more like cooking a pan of homemade fries on the stove.
Neon Vernacular is filled with new and old poems in an interesting order that swings between the two extremes of his patterns. I do appreciate activist poetry, but the poems about army life are not enticing for me.
by Wesleyan University Press, Neon Vernacular: New and Selected Poems (Wesleyan Poetry).
He shows off his unique sense of the world through those.
The words and lines remain fresh through to the end. It's difficult for me to give four stars to a collection of poetry such as this, but more difficult I would say is living the experience that forced the hand to write the words therein. However--this is the important part--I do want to read it again, and I did enjoy reading it. I like the latter more. Yusef Komunyakaa has two types of poetry. Komunyakaa is a recipient of the 1994 Kingsley Tufts Poetry Award , for Neon Vernacular [2] and the 1994 Pulitzer Prize for Poetry .
His The poems in the collection are from a period of almost 20 years, and the poet's style goes through some significant changes.
I learned to be bold like I wanted to be. Phenomenal Woman, Still I Rise, The Road Not Taken, If You Forget Me, Dreams My Father's Love Letters On Fridays he'd open a can of Jax Hot and cool.
p.3 The whole town smells/ like the world's oldest anger. Let us know what’s wrong with this preview of, Published Welcome back. Fog Galleon. These are beautifully written poems about difficult subjects. I do appreciate activist poetry, but the poems about army life are not enticing for me.
In his poem about his father he moves from reverence to anger to wisdom. The other is lyrical, imagery-filled, and layered. As a younger student, and uncontrollably ablaze with an itch for poetry, I stumbled upon a journalist, whose language seemed more like a history of a war, than prose. Jasmine I sit beside two women, kitty-corner to the stage, as Elvin's my favorite book of poems in the existence of books of poems. Start by marking “Neon Vernacular: New and Selected Poems” as Want to Read: Error rating book. 47 poems of Yusef Komunyakaa. Poetry "reconnects us to the act of dreaming ourselves into existence," Komunyakaa once wrote.
Komunyakaa manages the difficult task of precision, eloquence and passion. Pretty spectacular collections of poems spanning twenty years or so with some new ones thrown in for good measure. Poet Yusef Komunyakaa first received wide recognition following the 1984 publication of Copacetic, a collection of poems built from colloquial speech which demonstrated his … We talked... An award-winning poet's testimony of the war in Vietnam.
Yusef Komunyakaa (born April 29, 1941) is an American poet who teaches at New York University and is a member of the Fellowship of Southern Writers.
Once you pause a minute to consider the pain that has served as an outline in this poet's life, and when you also consider the highfalutin awards and professorial prestige given to a man whom people still seem to refer to as a humble man and teacher interested in mentoring poets, you really see this statement for what it truly means. Read more of Yusef Komunyakaa’s Biography. Although the majority of Yusef Komunyakaa’s poem “Untitled Blues” portrays descriptive and vivid scenes of music, dancing, and joy, these images are merely distractions from the deeper message that hides within the lines of the piece. He has some really beautiful imagery, but sometimes i think his verse is overwrought and over-done. These are beautifully written poems about difficult subjects. His poems about military life also offer a view into a world many do not know; however, I'm not a fan of that kind of poetry.
The other is lyrical, imagery-filled, and layered.
Komunyakaa is a recipient of the 1994 Kingsley Tufts Poetry Award, for Neon Vernacular and the 1994 Pulitzer Prize for Poetry. He also received the Ruth Lilly Poetry Prize. Goodreads helps you keep track of books you want to read. To be honest, I don't think I remember or even understand all of it. The Viet Nam sequence in the second half is particularly noteworthy, but this book is tremendous at every turn. Komunyakaa is a versatile poet who draws on many different styles of poetry to create a truly unique poetic landscape. I am blown away by his imagery and voice, haunted by some of these poems.
Once you pause a minute to consider the pain that has served as an outline in this poet's life, and when you also consider the highfalutin awards and professorial prestige given to a man whom people still seem to refer to as a humble man and teacher interested in mentoring poets, you really see this statement for what it truly means. still not sure how i feel about his poetry. That the body itself, apart from mind or soul, can possess beliefs--or memories or hopes or regrets or revelations--comes as no surprise to anyone familiar with Komunyakaa's work, or to anyone discovering this poet for the first time through NEON VERNACULAR, which includes rich samplings from books now out of print. That's what really matters about a literary work, isn't it? I've been reading Komunyakaa for years now. His jazz poems both glorify and elegize some of the jazz greats of the 20th century, and his war poems plunge readers into the dark, visceral, and strangely surreal world of a soldier struggling to survive both war and war's aftermath.
Yusef Komunyakaa has two types of poetry. A masterful collection. The other is lyrical, imagery-filled, and layered. Yusef Komunyakaa was born in Bogalusa, Louisiana. Just a moment while we sign you in to your Goodreads account.
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