Ensor rendered the scene, at once celebratory and nightmarish, in lurid colors and with crude brushstrokes. Sister Aimee preaching at Angelus Temple, c. 1929–30; vintage postcard. But West was a painter in his youth and had studied art history in college in the 1920s; he surely knew reproductions of the famous painting in books, such as the full-page one printed in Grégoire Le Roy’s major monograph published in 1922. The protagonist, a set painter named Tod Hackett, interacts with an array of movie-industry castoffs—washed up vaudevillians, dime-store cowboys, and would-be starlets, as well as a depressed hotel clerk from the Midwest named Homer Simpson—people who, in Tod’s view, “have come to California to die.”, Evocations of Ensor’s painting pervade the novel. Some say that Irises, painted during Van Gogh’s stay in a mental ward, represents his utter loneliness and isolation. He couldn’t have seen the painting in person, as it was hidden in Ensor’s home in Ostend, Belgium, throughout the author’s life. The Day of the Locust ends with a throng assembling for a movie premiere outside “Kahn’s Persian Palace” (a stand-in for Grauman’s Chinese Theater). Art in Los Angeles: 7 must-see works at the Getty Center. A turning point in the career of Ensor—largely thought to be an atheist—in which he turns to religious figures, particularly Christ, to depict his disgust with humanity. Look out for your first newsletter in your inbox soon! The celebrity-crazed fans grow increasingly agitated, incited by brutal cops and egged on by a breathless radio announcer: “What a crowd!

Luckily, the J. Paul Getty Museum, based in Los Angeles, gave art fans something different to do besides Netflix and chilling. Here are the art works you don't want to miss.

If you’re referring to the man in profile, with a white wig, the answer is very likely not. Thank you for this feedback. Hollywood fills the bill. Plus, here are 7 don't-miss art works at the Getty Center. Kind Was West really thinking of Ensor’s Christ Entering Brussels when conceiving his novel?

"We challenge you to recreate a work of art … Oil on canvas, 99 ½ x 169 ½ in. It was almost all face, like a mask.” Another, a child actor dressed as a soldier and sporting plucked eyebrows, “rolled his eyes back in his head so that only the whites showed and twisted his lips in a snarl.”, Detail from Ensor’s Christ Entering Brussels, Visiting the studio backlot, Tod observes a cast of hundreds gathering to film the Battle of Waterloo. On view at the Getty Center is the art collection of the J. Paul Getty Museum, which includes: pre-20th-century European paintings, drawings, illuminated manuscripts, sculpture, and decorative arts; The social conditions that lay behind West’s dystopian vision—an America wracked by ethnic and class strife exacerbated by the Great Depression and imminent world war—make the showbiz struggles of the book’s characters all the more pitiful; the slick productions of the film industry only distract them from the hopelessness of their lives. Your email address will not be published.

Don’t forget to upvote your faves and share which ones you loved best, dear Readers. Typical of the High Renaissance are Andrea Mantegna’s splendid Adoration of the Magi and Fra Bartolommeo’s Rest on the Flight into Egypt. The J. Paul Getty Museum in Los Angeles challenged those who might be bored while in quarantine to recreate great works of art from the Getty online collection using three items and/or people at their home. © 2020 Time Out America LLC and affiliated companies owned by Time Out Group Plc. of a where’s Waldo with Christ being Waldo. It’s time to unleash your inner artist . Heads up! Required fields are marked *.

Ensor’s paintings follow this style until more or less WWI, and these paintings are much more sought after than his later works. It is indeed a strange work in the Getty, about as odd as Van Gogh’s irises. In fact, some scholars identify that figure as the Marquis de Sade…. But for me the imagery of the novel–the descriptions of several of the characters and two “set-pieces” (the Battle of Waterloo scene and the riot at the film premiere) are so evocative of Ensor as to make the relationship extremely compelling–compelling enough, at least, for a blog post! Isn’t this painting about unrecognized talent? Here are the art works you don't want to miss. A religious celebration? I, personally would like to see the movie. Is it known that West had that particular book or had taken classes in which it was assigned or referenced? Any chance that’s the artist? But we reached a new level of art appreciation this week when the Getty Museum challenged the Internet to browse its online collection and re-create works of art at home. For one acclaimed early 20th-century American writer, the painting’s imagery appears to have called to mind the spellbinding effects of popular Hollywood cinema and the fluid line between mass entertainment and urban chaos. John Schlesinger memorably captured the ensuing riot in his 1975 film adaptation. I might agree with “speculative,” but surely not “highly speculative!” There is plenty of evidence from West’s contemporaries–including the writer Josephine Herbst, his good friend–that West admired Ensor’s paintings. We’ve collected some of the best recreations of famous paintings, so scroll down and feast your eyes.

Try another? Painting in France ranges from recently acquisitioned works by Poussin, Fragonard, and Lancret, through the Impressionism of Monet’s seminal Sunrise and his Rouen Cathedral, while the modern age is exemplified by the Irises of Vincent van Gogh, Fernand Khnopff’s Jeanne Kéfer, and Cézanne’s Still Life with Apples. Designed by Elegant Themes | Powered by WordPress. The roiling spectacle has always struck me as both exhilarating and unnerving. Getty Topline : When the Getty Museum in Los Angeles called on its online followers to recreate famous artwork with household items on Wednesday, the internet responded with thousands of … . The J. Paul Getty Museum’s paintings collection ranges from the fourteenth to the end of the nineteenth century. “An army of cavalry and foot was passing. The Day of the Locust itself offers the most compelling evidence that West knew the painting. 4 min read. But what does the scene actually represent? Download a map of the Getty Center. The dolmans of the hussars, the heavy shakos of the guards, Hanoverian light horse, with their fat leather caps and flowing red plumes, were all jumbled together in bobbing disorder.”, Frustrated by his hack work for movies, Tod plans his artistic revenge: an enormous painting entitled “The Burning of Los Angeles,” a vast scene of urban turmoil as engrossing as any silver screen epic: “[Tod] wanted the city to have quite a gala air as it burned, to appear almost gay.

Your email address will not be published. All rights reserved. And the people who set it on fire would be a holiday crowd.”. Rembrandt Harmensz van Rijn’s An Old Man in Military Costume, 1630-1631 (East Pavilion, Upper Level, E204) By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions. Getty Museum challenges quarantined people to recreate famous works of art, with hilarious results Stuck indoors? The elegant sgraffito technique, a layering of plasters tinted in contrasting colors, simulates the brocading of the virgin’s cloak and must be seen in person to fully appreciate. The art of the Netherlands in its Golden Age is represented by Jan Brueghel’s much-loved painting The Entry of the Animals into Noah’s Ark and by The Return from War, which he painted with Peter Paul Rubens, as well as a newly acquired and magnificent landscape by Hobbema, Rembrandt’s Abduction of Europa, and Jan Steen’s Drawing Lesson. Marino Marini’s Angel of the Citadel, 1950  (South Pavilion P2, courtyard) The only “real-looking” person in the painting is the fellow in the bottom-right corner being eyed suspiciously by one of the characters. We already have this email. The world famous J. Paul Getty Museum in California may be temporarily closed due to the coronavirus crisis, but that doesn't mean it has stopped inspiring people to love art. I'm associate director of collections at the J. Paul Getty Museum. With their brass bands, tiered choirs, and massed congregants whipped into a messianic frenzy, Sister Aimee’s elaborate spectacles could verge on Ensor-like pandemonium. Dottie, The film is available for streaming on Amazon Prime. The painting shows this, with Christ entering Brussels instead of Jerusalem. Interesting that the Getty chooses to highlight the magnificent Ensor painting in its newsletter after making the tone deaf choice to move it from a suitable location to a virtually unviewable location in a room cluttered with unrelated objects and high above the visitors heads.   André-Charles Boulle’s Cabinet on Stand, 1675-1680 (East Pavilion, Plaza Level, S103) It could apply to any place where a Déjà vu! It moved like a mob; its lines broken, as though fleeing some terrible defeat. Reproduction of Christ’s Entry into Brussels in Grégoire Le Roy’s monograph James Ensor (1922). The story has been updated. The Getty Center has art, vistas and architecture in spades. James Ensor’s Christ’s Entry Into Brussels, 1889 (West Pavilion, Upper Level, W205) James Ensor’s Christ’s Entry into Brussels in 1889, by far the largest and surely the strangest painting in the Getty Museum’s collection, visualizes the double-edged nature of crowds. A political demonstration? Stand in awe of the intricacies of design, including the use of ivory, pewter and various woods—all in a single piece of furniture.


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