Her rounded form and the tender contact of her massive hands over her chest and abdomen suggest that she may be pregnant, lending further poignancy to her situation. After Hitler had come to power and a new world war was looming, she returned to this field of topics above all with sculptural works.

Hon såg det som en viktig roll för konsten att skildra människors levnadsbetingelser och medvetandegöra den nöd som fanns i stadens fattigare områden. Som exempel på hennes grafik kan nämnas sex motiv från Gerhart Hauptmanns pjäs Vävarna (utställda 1898), sviten Bondekrig (1902-1908) och Överkörd (1910); affischerna Aldrig mera krig!, Bröd, Barnen svälter (samtliga 1924); träsnitten Krigscykeln (1922-1923); litografierna Dödscykeln (fullbordad 1936); skulpturerna Sörjande föräldrar (1931).

We have identified these works in the following photos from our exhibition history. Käthe Schmidt gifte sig 1891 med läkaren Karl Kollwitz som var verksam i arbetarstadsdelen Prenzlauer Berg i Berlin.

More information is also available about the film collection and the Circulating Film and Video Library.

As Käthe Kollwitz’ works were unofficially banned from being exhibited in public from 1935 onwards, these works failed to reach a larger public.As a result of the outbreak of war, she again used the quote »Seed for sowing should not be milled« in a lithograph.

Revising each print through as many as nine preparatory drawings and states, Kollwitz radically simplified the compositions. Interiör av Neue Wache i Berlin med Kollwitz staty Mor med död son. Käthe Kollwitz (1867–1945) published The Peasants' War (Bauernkrieg). Inuti Neue Wache i Berlin finns skulpturen Mor med död son. Beruf und Geschlecht: Frauenberufsverbände in Deutschland 1848–1908, ”Käthe Kollwitz Museum Köln: Die Künstlerin - Lebenslauf”, https://web.archive.org/web/20150829075732/http://www.kollwitz.de/lebenslauf.aspx, https://sv.wikipedia.org/w/index.php?title=Käthe_Kollwitz&oldid=47777195, Wikipediaartiklar med identifierare från VIAF, Wikipediaartiklar med identifierare från LCCN, Wikipediaartiklar med identifierare från ISNI, Wikipediaartiklar med identifierare från GND, Wikipediaartiklar med identifierare från LIBRIS, Wikipediaartiklar med identifierare från BNF, Wikipediaartiklar med identifierare från BIBSYS, Wikipediaartiklar med identifierare från ULAN, Wikipediaartiklar med identifierare från NLA, Wikipediaartiklar med identifierare från BNE, Wikipediaartiklar med identifierare från CANTIC, Creative Commons Erkännande-dela-lika 3.0 Unported.

Alongside her woodcut series »War«, the artist already created anti-war prints and drawings during the First World War. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

For licensing motion picture film footage it is advised to apply directly to the copyright holders. En ny liknande appell publicerades inför valet i februari 1933, då Adolf Hitler redan var utsedd till rikskansler.

Som tonåring tog hon privatlektioner i måleri och grafik hos etablerade konstnärer i hemstaden. This print cycle had taken her six years to complete and showed a series of seven imagined scenes set within the very real historical events of the Great Peasants' Revolt (1522–1525). During her lifetime, she made two hundred sixty prints, including etchings, lithographs, and woodcuts, some of which were used as poster compositions for various social causes. From Galerie St. Etienne, Käthe Kollwitz, Never Again War! År 1885 flyttade hon till Berlin och gick på den så kallade ”Damakademien” hos Föreningen för Berlins konstnärinnor (ty:Verein der Berliner Künstlerinnen). Was the youth in all these countries deceived?«Käthe Kollwitz, Diaries, 11 October 1917.

In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. This record is a work in progress. [1], År 1913 var Käthe Kollwitz en av grundarna av Berlins förbund för kvinnliga yrkeskonstnärer, Frauenkunstverband, och var dess första ordförande till 1923. If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. These woodcuts—stark icons of concentrated emotion—focus on the anguish suffered by wives, parents, and children whose men fought and died in the war.

German Expressionist Digital Archive Project. Ett flertal tyska skolor och gator har uppkallats efter henne. Hennes konst förbjöds av nazisterna.

Jahrhunderts. 21.59.

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